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Betty Jo Tucker

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Books
· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


Short Stories
· Call 911!

· A Very Short Story

· The Ruby Slippers Caper


Articles
· My Ten Favorite Movies of 2024

· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

         More poetry...
News
· Cinema Stanzas: Rhyming About Movies Now in Paperback

· Cinema Stanzas Two Now in Paperback

· Cinema Stanzas Two Wins Poetry Award

· First Place for Cake: A Love Story!

· Cinema Stanzas Poetry Award

· The Rocky Horror Picture Show: Then and Now

· Debbie Reynolds in the Spotlight

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Guess Who: Movie Review
by Betty Jo Tucker
Last edited: Friday, April 1, 2005
Posted: Friday, April 1, 2005



     
Messing with a classic movie can be dangerous business, which is probably one of the reasons why "Guess Who" achieves only a modicum of success.

This mildly amusing film updates “Guess Who’s Coming to Dinner?” by reversing the story’s racial representation. Ashton Kutcher stars as the unwelcome boyfriend originally played by Sidney Poitier, and Bernie Mac takes on Spencer Tracy’s disappointed father role. Obviously going more for laughs than the original, “Guess Who” relies too heavily on the comic talents of Kutcher and Mac, rather than on a meaty script or cinematic artistry.

However, while poking fun at the problems of interracial romance, the movie manages to remind viewers that discrimination and stereotypes are still alive and well in the new millennium. One scene involving a number of racial jokes disgusted me, but I have to admit I’ve heard -- and, sadly, chuckled at -- some of them before.

Kutcher (“Just Married”) and perky Zoe Saldana (“The Terminal”) portray lovers who intend to announce their engagement during the weekend Saldana’s parents (Mac and Judith Scott) host a party celebrating renewal of their wedding vows. Saldana hasn’t told her family about her new boyfriend’s race, and Kutcher can’t help being frightened by the prospect of meeting her dad, whose photos make him look immensely intimidating. Complicating matters, Kutcher quits his job without telling Saldana –- and this is a big deal, especially since Saldana’s father wants her to date only men with good jobs.

When Kutcher and Mac (“Bad Santa”) meet, any romance in the movie takes a back seat to the relationship between the two men. Ebony and ivory clash as these very different guys try to outdo each other in a silly go-cart race, spur-of-the-moment sports activities and tango dancing -– all of which give rise to just a few humorous moments during their extensive screen time together.

The movie’s funniest sequence belongs to Kutcher alone. It involves a series of frantic “make-up” calls to Saldana after she finds out about his jobless situation. Pleading, cajoling, demanding, wooing –- you name it -– he tries everything he can think of to win her back. Kutcher’s acting here may be the best he’s ever done. It certainly proves he doesn’t need pratfalls or slapstick to make us laugh.

Although Mac failed to impress me during most of “Guess Who,” he redeems himself somewhat in the final “wedding vows” scene. That man can sing (or lypsynch?), and he really knows the right moves! Unfortunately, it’s a case of too little, too late.

I don’t want to end this review on such a harsh note, so let me say “Guess Who” is not a total waste of time. Without being too preachy, it’s a painless way to learn lessons about the dangers of racial prejudice as well as the importance of honesty in a romantic relationship. And finally, for some strange reason, I’m compelled to mention again how much I enjoyed Ashton Kutcher’s memorable telephone antics.

(Released by Columbia Pictures and rated “PG-13” for sex-related humor.)

Review originally posted on ReelTalkReviews.com.  

Web Site: ReelTalkReviews.com


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Reviewed by m j hollingshead
Reviewed on April 3, 2005
well done


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