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Betty Jo Tucker

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Books
· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


Short Stories
· Call 911!

· A Very Short Story

· The Ruby Slippers Caper


Articles
· My Ten Favorite Movies of 2024

· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

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· The Rocky Horror Picture Show: Then and Now

· Debbie Reynolds in the Spotlight

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Water for Elephants: Film Review
by Betty Jo Tucker
Last edited: Sunday, April 24, 2011
Posted: Sunday, April 24, 2011



     
If ever a book cried out for filming, it’s Sara Gruen’s wonderful novel "Water for Elephants." In fact, not since my husband and I read the first Harry Potter offering have we been so eager to the movie version of an author’s work. We were not disappointed with "Harry Potter and the Sorcerer’s Stone" – and, fortunately, we feel the same way about the film treatment of "Water for Elephants," which definitely does justice to Gruen’s exciting and romantic story set in the circus world of the early 1930s.


Water for Elephants
contains lots of cinematic potential, which cinematographer Rodrigo Prieto (Original Sin; Frida) mines beautifully, and most of the characters – including a brave and long-suffering elephant named Rosie – are quite colorful. Plus various situations in the Big Top and on a train as the circus travels from town to town add considerable suspense to the film, and stars Reese Witherspoon (Oscar winner for Walk the Line), Robert Pattinson (Twilight), and Christoph Waltz (Oscar winner for Inglourious Basterds) deliver excellent performances in the key roles here. Pattinson surprised me with his sensitive portrayal of Jacob, a young veterinarian student who drops out of college after his parents die in a tragic accident. When Jacob finds himself signed on as a circus veterinarian, he falls deeply in love with Marlena (Witherspoon), the gorgeous lady who performs with the circus horses. August, the ringmaster and Marlena’s sadistic hubby (Waltz, who may be on the way to another Oscar for his fine work in this film) stands in the way of true love, so the plot thickens.

 

Will newcomer Jacob be able to save Marlena and Rosie from August’s mercurial temper outbursts? And if so, at what price? Even though I knew the answer to both of those questions, Water for Elephants held my interest to the very end. But my adult daughter, who sat beside me at the screening and hasn’t read Gruen’s book, claimed to be even more intrigued. 

 

I believe Water for Elephants must be seen on the big screen to be fully appreciated. Sometimes while watching it, I actually felt as gritty as the circus workers or as spellbound as the spectators in the Benzini Brothers Big Top.  At other times, I found myself physically cringing over the brutality of August’s behavior to Rosie, Marlena and Jacob. However, the brief scenes showing Marlena performing with Rosie are among my favorites. Witherspoon never looked more lovely  than she does in her sparkly circus attire while doing Marlena’s routines with the marvelous elephant.

 

Director Francis Lawrence (I Am Legend) and screenwriter Richard LaGravanese (The Horse Whisperer) deserve credit for presenting a film that honors Sara Gruen’s splendid novel. While leaving out a large part of the story concerning Jacob in his 90s, the movie still gives viewers a glimpse of the old man’s spirit by casting Hal Holbrook in that role and using this veteran actor to open and close Jacob’s tale, which unfolds in flashback.   

 

“One of the reasons I did Water for Elephants,” says filmmaker Lawrence, “is because it has love, wish fulfillment, redemption, magic and beauty. I hope audiences latch on to all these things.” As you can tell, dear reader, I’m one member of the audience who did just that!

  

(Released by Twentieth Century Fox Corporation and rated “PG-13” by MPAA.)

 


Review also posted at ReelTalk Movie Reviews.

Web Site: ReelTalk Movie Reviews


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