Rage ends up being a bloody cautionary tale about how revenge can backfire. It also provides Cage with the opportunity to show off his darker side in a role that comes across like an amped-up version of Liam Neeson’s work in the Taken flicks – and I don’t mean that as a complaint. I was fascinated again by Cage’s ability to draw me into his performance. After seeing almost all of this actor’s films – good, bad and in between -- I continue to be a fan whether watching him do comedy, drama, action or romance. His appeal? Probably because although he doesn’t look like a traditional movie star, he usually appears so believable in the diverse roles he takes on.

Rage may not boast quality production values, but it delivers in other important areas. The fine supporting cast and an intriguing plot help keep our interest in the movie despite its repetitive violent sequences. Lovely Rachel Nichols (Star Trek) makes us feel her confusion and deep concern over her husband as he takes the law in his own hands. Max Ryan (Death Race) and Michael McGrady (Frozen Ground) seem right at home as two guys trying to help their old friend, no matter what the cost to them personally. Peter Stormare (The Big Lebowski) surprised me the most because I would never think of casting him as an IRISH mob boss. And yet, that worked for me here. Pasha D. Lychnikoff (Cloverfield) excels in the role of a sinister Russian mafia boss, and Danny Glover (Extraction) does a good job projecting the detective’s frustration about the case. Also, in her limited time on camera as Cage’s daughter, Aubrey Peeples shows star potential. I would love to see her in more screen roles. And Max Fowler (The Expelled) deserves mention for his excellent portrayal of a frightened teenager.                       

Directed by Paco Cabezas (Neon Flesh) from a screenplay by Jim Agnew (Game of Death) and Sean Keller (Giallo), Rage offers a reminder of how violence breeds violence. Not a bad message for today’s world. The film’s ending might not be to our liking, but it’s entirely appropriate for this disturbing tale of woe.     

(Released by Image Entertainment and rated “R” by MPAA.)

Review also posted at ReelTalk Movie Reviews.