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Betty Jo Tucker

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· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


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· A Very Short Story

· The Ruby Slippers Caper


Articles
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· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

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Dead and Breakfast: Film Review
by Betty Jo Tucker
Last edited: Saturday, October 25, 2014
Posted: Saturday, October 25, 2014



     

"Bed & Breakfast" is the first thing we see flashed on screen, but immediately after that, the word “Dead,” written in a blood-red color, splashes over Bed. Clearly, the title is really "Dead & Breakfast" instead. A clever way to get started, isn’t it? Fortunately, this little independent horror movie also serves up similar originality and campiness almost from beginning to end. It’s a hoot!



The story seems traditional enough. Six friends are traveling together to a wedding when they stop to stay for the night at a sinister inn in a creepy Texas town. After opening a mysterious object, one member of the group (Oz Perkins) turns into a violent ghoul. Before long, the ghoulish creatures outnumber the town’s living inhabitants. If this sounds a bit like zombie/ghoul movies you’ve seen before, you’re on the right track. But this one also features surprising musical numbers. Think Rocky Horror Picture Show meets Shaun of the Dead.

 

I thoroughly enjoyed the music in Dead & Breakfast. Zach Selwyn adds a hokey charm to the proceedings by singing country rap introductions which serve as segues to each major section of the film. In addition, there’s a weird song and dance routine by a chorus of ghouls that rivals Rocky Horror’s “Time Warp” for nonsensical fun.

 

Among the strong ensemble cast, Ever Carradine (My Boss’s Daughter) and Oz Perkins (Legally Blonde) stand out. Reminiscent of Uma Thurman in the Kill Bill movies, Carradine projects both emotional and physical strength as her character fends off a veritable army of ghouls. Perkins, looking as innocent as a newborn babe, is a riot in scenes showing him using heads like hand puppets. Amusing cameos by Ever’s uncle David and Diedrich Bader (Miss Congeniality 2: Armed and Fabulous) as the B&B owner and his chef also deserve special mention.           

 

Writer/director Matthew Leutwyler (Road Kill) soaks Dead & Breakfast in outrageous gore from decapitations, stabbings, chainsaw attacks, removal of various body parts and so forth. Although most fans of horror films will probably applaud this over-the-top approach, I found the bloody carnage a bit too much in a few sequences. That’s my only complaint about this horror gem. 

 

DVD bonus features include: audio commentaries by filmmaker Leutwyler, special effects supervisor Michael Mosher, and actors Erik Palladino, Zach Selwyn, Ever Carradine, Oz Perkins and Jeffrey Dean Morgan; deleted and extended scenes; bloopers; trailers; and a poster/still gallery.    

 

(Released by Anchor Bay Entertainment and rated “R” for strong horror violence/gore and language.)

                   

Review also posted on ReelTalk Movie Reviews.  

Web Site: ReelTalk Movie Reviews


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Reviewed by Ronald Hull
Reviewed on October 27, 2014
I think I'll pass on this one. While I certainly like a creative horror film like the Rocky Picture Show, the need for unnecessary gore, picking off cast members one by one, is simply not my cup of tea.

Ron


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