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Betty Jo Tucker

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Books
· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


Short Stories
· Call 911!

· A Very Short Story

· The Ruby Slippers Caper


Articles
· My Ten Favorite Movies of 2024

· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

         More poetry...
News
· Cinema Stanzas: Rhyming About Movies Now in Paperback

· Cinema Stanzas Two Now in Paperback

· Cinema Stanzas Two Wins Poetry Award

· First Place for Cake: A Love Story!

· Cinema Stanzas Poetry Award

· The Rocky Horror Picture Show: Then and Now

· Debbie Reynolds in the Spotlight

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Jessabelle: Film Review and Poem
by Betty Jo Tucker
Last edited: Saturday, November 22, 2014
Posted: Saturday, November 22, 2014



     
Nightmares and Voodoo and ghosts -- oh my! "Jessabelle" cries out for a poem and a review. So I dare you to keep reading, dear friends.

Do Do That Voodoo

 

Sweet and lovely

with luck so bad,

Jessie can’t help

to make us sad.

 

Two broken legs

and moving to

a house of gloom

touched by voodoo.  

 

Strange tapes are there

from mother dear. 

A spirit waits

and soon draws near.

 

One friend arrives

to aid Jessie.

But will that help?

We’ll have to see.

 

Jessabelle boasts

atmosphere plus,  

and creepy scenes

to frighten us.

 

Still, things don’t fit

together much.

We’re left confused

and out of touch.

 

And yet we’re pleased

with actors here.

Snook and Webber

need have no fear.

 

We’ll watch for them.

They seem so real.

Another chance!

Yes, that’s their deal.

 

Like the superior The Skeleton Key, Jessabelle takes place in an atmospheric Louisiana bayou setting, which cinematographer Michael Fimognari knows how to highlight effectively for a horror movie like this. The film looks great -- both in the eerie sequences and bright sunlit ones. Another positive involves the way Sarah Snook and Mark Webber succeed in drawing us into their characters’ weird world.


During the first few minutes of the film, we begin to care deeply about Jessie, played by Snook (The Predestination ), because of a horrible tragedy she’s gone through. Our empathy increases as we learn she must live with her estranged father in the run-down home where her mother died. And it doesn’t take long to warm up to Preston, portrayed by Webber (13 Sins), when he enters the scene as Jessie’s old boyfriend who wants to help her.

 

Jesssie needs all the help she can get. Why is a vengeful spirit out to get her? Why did her mother (Joelle Carter) make VHS tapes for her to play after she dies? How does Voodoo play a role in these events? Jessie has some very strange dreams about her situation, but she also comes to realize the house is haunted. 

 

Before Jessabelle ends, we’re treated to some intriguing twists and turns. Unfortunately, they don’t come without plot holes. And some horror fans will be expecting more gore, especially since director Kevin Greutert provided so MUCH more in Saw 3D: The Final Chapter and Saw VI.     

 

Still, many fans who enjoy films about haunting, Voodoo, nightmares and paranormal events will probably find this horrortainment worth seeing.

   

(Released by Lionsgate and rated “PG-13” for sequences of horror violence and terror.)

 

 Review also posted at ReelTalk Movie Reviews.

 

Web Site: ReelTalk Movie Reviews


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Reviewed by Ronald Hull
Reviewed on November 22, 2014
I find most horror stories to be so unbelievable as to be laughable, like Vincent Price turned to comedy in his later roles, because things were becoming so outlandish. Blood and gore seem to have taken a front seat in most Hollywood horror epics.

The picture of Jessabelle with two faces that I assume is showing two personalities reminds me of a character with two heads in American Horror Story: Freak Show. I checked yesterday and it is one actress playing a conjoined woman with two heads, each like my twin brother and I, with different ideas and personalities. Very well done, I might add.

Ron


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