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Betty Jo Tucker

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Books
· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


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· A Very Short Story

· The Ruby Slippers Caper


Articles
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· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

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Manglehorn: Film Review/Poem
by Betty Jo Tucker
Last edited: Sunday, July 12, 2015
Posted: Saturday, July 11, 2015



     

Al Pacino turns in one of his best performances in “Manglehorn.” Although requiring patience to watch, this film definitely ends up being worth the effort, mostly because of Pacino’s intense portrayal of A. J. Manglehorn, an elderly, eccentric locksmith with a broken heart.





                          A lonely man who pines away

for his lost love both night and day.

That’s Manglehorn.

 

A sad man with a cat, his pet

who needs some help -- and from a vet.

That’s Manglehorn.

 

A man not skilled in social ways,

he finds one friend but then he pays.

That’s Manglehorn.

 

Can this man change his life and heart?

Will he agree to make a start?

See Manglehorn.

 

Heartbroken, Manglehorn tries to get by each day, but he can’t forget Clara, the woman he loved and lost. He writes to her every day, but she never answers. (How I wish we knew more about Clara!)  And as the years have passed, he’s become bitter and sarcastic. Sadly, even his relationship with his son (Chris Messina) has deteriorated, so they fail to communicate in any way except by arguing. 

 

Manglehorn’s only close relationship now involves Franny, his pet cat who needs intestinal surgery. However, he and his darling granddaughter (Skylar Gasper) enjoy each other during their weekly visits, and Manglehorn perks up a bit each Friday when he sees Dawn (Holly Hunter), a friendly teller at his bank. Dawn owns a dog, so they converse about their pets – and we can’t help hoping these two lonely people will get together.

 

But then, on their first date, something so awkward happens that I almost yelled at the screen. It’s a scene I will never forget! Both Pacino and Hunter should win Oscar consideration for their terrific work in this one critical interaction. Kudos also to screenwriter Paul Logan (Be Comfortable, Creature) for the outrageously shocking  dialogue he gave these veteran actors here.                


Although Hunter delivers the goods in this fine drama, it’s Pacino’s movie. He’s ready for his Manglehorn close-ups, for sure. And there are a lot of them. Pacino makes us feel this character’s misery. We see it in his eyes, in his gloomy facial expression, in the way he stands and walks. And we want him to cheer up, for gosh sakes. But it’s not easy to mend a broken heart, as the old song goes.

 

Director David Gordon Green (The Sitter) wisely chose a slow pace for this unusual character study. That helps us understand how deeply Manglehorn feels about his loss and how it impacted his life. Fortunately, he also made sure Manglehorn included a few light touches. For example, I rank the delightful musical duet sequence inside Manglehorn’s bank as one of this year’s most treasured movie moments.

 

The emotion that can break your heart is sometimes the very one that heals it.

     --- Nicholas Sparks

 

(Released by IFC Films and rated “PG-13” on appeal for some sexual content and language, and for accident and surgery images.)

 

Review also posted on ReelTalk Movie Reviews.

Web Site: ReelTalk Movie Reviews


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Reviewed by Ronald Hull
Reviewed on July 12, 2015
Like several fine actors, Al Pacino seems to be moving into elderly roles quite easily, still gaining attention and fame for his performances. Pacino does sarcasm very well. And although I haven't seen it, I believe he can probably play melancholy equally as well.

As I've often said before, "I'll see it when it gets to TV… Interrupted by commercials."

I enjoy your poetry. Keep up the good work.

Ron


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