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Betty Jo Tucker

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Books
· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


Short Stories
· Call 911!

· A Very Short Story

· The Ruby Slippers Caper


Articles
· My Ten Favorite Movies of 2024

· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

         More poetry...
News
· Cinema Stanzas: Rhyming About Movies Now in Paperback

· Cinema Stanzas Two Now in Paperback

· Cinema Stanzas Two Wins Poetry Award

· First Place for Cake: A Love Story!

· Cinema Stanzas Poetry Award

· The Rocky Horror Picture Show: Then and Now

· Debbie Reynolds in the Spotlight

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Viper Club: Review/Film Poem
by Betty Jo Tucker
Last edited: Tuesday, November 6, 2018
Posted: Tuesday, November 6, 2018



     

Another Great Mother Role



Susan Sarandon, the star of Viper Club, has played all kinds of mothers – good ones, bad ones, outrageous ones – starting way back in 1978 in the role of a prostitute with a beautiful young daughter (Brooke Shields) in "Pretty Baby." As I mention in my book "Susan Sarandon: A True Maverick," Sarandon believes that mothers in the movies have always been played like there’s only one kind of mother. “I’m striving to make these roles more than just ‘mothers’ – but also real women,” she explains.



And she’s accomplished this goal in such films as King of the Gypsies, Little Women, Lorenzo’s Oil, Safe Passage, Moonlight Mile, Anywhere But Here, Igby Goes Down, Stepmom, The Meddler, and The Last of Robin Hood.

 

Sarandon’s impressive Viper Club performance as a dedicated ER nurse whose son is missing ends up being another notch on her way to becoming the “mother of all film moms.”  We get to see this Oscar-winning actress (Dead Man Walking) at the top of her game here in one of the most dramatic roles of her career. Because of Sarandon’s believability, we empathize with her character and want desperately to see son Andy (Julian Morris), who is held hostage in Syria, returned safely. We feel her frustration as she tries to deal with government officials who put her off with comments like “We don’t negotiate with terrorists” and “Your son knew the dangers involved.” And we can’t help wondering about the private group she finally gets involved with.              

 

Sarandon in scene after scene,

so fans will think this film is keen.

She plays a mom with kidnapped son.

Can she find help from anyone?

 

Emotions very hard to bare,

Sarandon shows with depth and care.

Viper Club tells a tale of woe.

So steel your nerves before you go.

 

Although this is Sarandon’s movie, supporting cast members Edie Falco and Matt Bomer deserve praise for their convincing turns as two friends trying to raise ransom money. Kudos also to Amir Malaklou for his engaging portrayal of a new ER doctor and to Keishee Aduye as a compassionate ER supervisor.    

 

Directed by Maryam Keshavarz, who also co-wrote the screenplay with Jonathan Mastro, Viper Club is not easy to watch. There’s no sugar coating or sentimentality, although nostalgic flashbacks of Andy as a child -- and growing up -- tug at the heartstrings. Obviously, this is the type of dramatic story that must be treated quite seriously.

 

 (Released by Roadside Attractions and rated “R” by MPAA.)

 

Review also posted at ReelTalk Movie Reviews.

 

 

Web Site: ReelTalk Movie Reviews


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Reviewed by Ronald Hull
Reviewed on November 7, 2018
You didn't state it, but I'm beginning to think that this is based on a true story. I find the true stories like this are the most compelling and the ones that require actors to act like real people and not like some kind of superheroes that give a distorted view of life.

My greatest memory of Sarandon is Thelma and Louise. There are several scenes in that movie that stand out and are never forgotten. Unfortunately I haven't seen most of the other movies.

Ron


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