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Betty Jo Tucker

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Books
· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


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· Call 911!

· A Very Short Story

· The Ruby Slippers Caper


Articles
· My Ten Favorite Movies of 2024

· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

         More poetry...
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· The Rocky Horror Picture Show: Then and Now

· Debbie Reynolds in the Spotlight

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Roma: Review/Film Poem
by Betty Jo Tucker
Last edited: Monday, December 17, 2018
Posted: Monday, December 17, 2018



     

Filmmaker Alfonso Cuarón has an excellent memory! And he definitely taps into it for “Roma,” a remarkable black-and-white movie about a year in the life of a family living in a middle class neighborhood in Mexico City back in the1970s. The Oscar-winning director (“Gravity”) used his own childhood experiences as a resource for this unique project. No wonder everything looks and sounds so realistic.


Cuarón’s intriguing cinematography adds to the movie’s authenticity. But don’t be put off because there is no musical soundtrack. You are hearing the life sounds of people walking, water running, cars honking, dogs barking, guns shooting, etc. And this helps you feel like you are seeing the real thing, which makes it easy to fall in love with Cleo, the main character.

 

Actress Yalitza Aparicio portrays this indigenous domestic worker who also serves as a nanny to the three children in the family. She’s a hard worker and everyone appreciates her, especially the youngest son. In fact, it’s Cleo who holds the family together. While watching Cleo face almost unsurmountable problems – including the actions of her cowardly boyfriend, almost being shot while trying to buy a crib, going into labor during a violent protest demonstration, saving children’s lives, and more – we can’t help admiring her courage.

         

Filmed in glorious black and white,

Roma shimmers when in the light,

then shadow dances at day’s end.

But what did filmmaker intend?

 

A love letter to someone dear

from years gone by is what I hear.

And so we see a slice of life --

Mexico during time of strife.

 

Domestic worker named Cleo

cares for children and loves them so.

No Mary Poppins, not at all.

Like everyone else, she can fall.

 

Nineteen seventies seem so real.

We start to learn how they must feel.

Artistry and compassion reign

in this fine film of love and pain.

 

It’s also important to mention the impressive non-theatrical performances of every actor in Roma. The big question now involves whether or not this movie will receive any Oscar® nominations. We’ll find out on Tuesday, January 22, when the 91st Annual Academy Awards nominations are scheduled to be announced. The official Oscar® Awards Ceremony will be held on February 24, 2019. Fingers crossed.

 

(Available on Netflix and rated “R” for graphic nudity, some disturbing images, and language. Spanish dialogue with English subtitles.)

Web Site: ReelTalk Movie Reviews


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Reviewed by Ronald Hull
Reviewed on December 17, 2018
Your review makes Roma very intriguing. I think that Cuarón used black-and-white to convey the bleakness of life for that family at that time. My memory of Mexico in the late 1960s was the bleakness of life even though we were living in a Technicolor cinema world with color photography the norm. Driving just south of the border, my greatest impression was children with high visibility orange vests on as they played by the highways, supposedly to protect them from hit-and-run drivers.

Ron


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