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Betty Jo Tucker

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Books
· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


Short Stories
· Call 911!

· A Very Short Story

· The Ruby Slippers Caper


Articles
· My Ten Favorite Movies of 2024

· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

         More poetry...
News
· Cinema Stanzas: Rhyming About Movies Now in Paperback

· Cinema Stanzas Two Now in Paperback

· Cinema Stanzas Two Wins Poetry Award

· First Place for Cake: A Love Story!

· Cinema Stanzas Poetry Award

· The Rocky Horror Picture Show: Then and Now

· Debbie Reynolds in the Spotlight

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Paris Is Us: Review/Film Poem
by Betty Jo Tucker
Last edited: Thursday, February 28, 2019
Posted: Thursday, February 28, 2019



     

If you have a fear of flying or suffer from migraine headaches, watching most of “Paris Is Us” might be torture for you. And if you don’t like non-linear storytelling, that could also be a problem. This ultra-serious French drama punches your eyes, ears and heart. But you can’t help feeling sorry for Anna (Noémie Schmidt), a young woman who loses Greg (Grégoire Isvarine), the man she loves, and goes through a period of great suffering.


Lots of flashbacks and flash forwards keep viewers wondering what’s really happening and when. Plus, most scenes show Anna wandering through Paris and looking around without much interaction with what’s going on. Certain places remind Anna of Greg, and her melancholy seems to grow deeper.  

 

Anna and Greg first met each other while dancing during one night in Paris, and it was magical for them. But not long after they became a couple, Greg wanted to move to Barcelona for work. Anna hates that idea. She thinks Paris ties them together. Sadly, Greg books plane tickets for both of them, but Anna stays in Paris. When Greg dies in the plane crash, she refuses to believe it right away. She even fantasizes another outcome. And that’s not all -- but I don’t want to include any spoilers.  

 

Anna’s situation motivated me to write the poem below.                  

 

Pure grief and all its sorrow sides

emerge in images and sighs.

Pounding music and flashing light

repeat a meeting in the night.

 

Paris Is Us reaches inside

and takes us on a painful ride.

Loss and loneliness spin around

with guilt as company unbound.

 

What if? becomes a constant thought.

The outer world cannot be bought.

A film like this, more felt than seen,

cries out for empathy on screen.

 

Paris Is Us ranks as the Number One most intense movie about the grieving process I have ever seen. It’s not an entertaining film.  But it makes us think about and feel compassion for people going through similar situations. Also, both lead actors do their characters justice, and director Elisabeth Vogler’s unusual cinematography includes some intriguing shots of Paris.

 

Denial helps us pace our feelings of grief. There is grace in grief. It’s nature’s way of letting in only as much as we can handle. --- Elisabeth Kubler-Ross

 

Grief is the price we pay for love. --- Queen Elizabeth II

 

(Released by Netflix; not rated by MPAA.)

 

Review also posted at ReelTalk Movie Reviews.      

Web Site: ReelTalk Movie Reviews


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Reviewed by m j hollingshead
Reviewed on March 5, 2019

your film reviews are all so well done,


Never Stop Writing!


m

Reviewed by Ronald Hull
Reviewed on March 1, 2019
Since I saw A Man and a Woman, I have shied away from emotional relationship movies. And, like you, I'm not fond of movies that jump all over the timeline giving you bits and pieces here and there as though it were some kind of mystery puzzle you were supposed understand.

Ron


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