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Betty Jo Tucker

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Books
· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


Short Stories
· Call 911!

· A Very Short Story

· The Ruby Slippers Caper


Articles
· My Ten Favorite Movies of 2024

· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

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The Gray Man: Review/Film Poem
by Betty Jo Tucker
Last edited: Tuesday, July 26, 2022
Posted: Tuesday, July 26, 2022



     
Disappointing Thriller

The best things about THE GRAY MAN are its classy end credits and the performances of Chris Evans and Ryan Gosling. Although I couldn’t see these two fine actors much of the time because of the dark cinematography, when I did see them I thought they were doing their best to make this thriller work.


Both stars have entertained me in most of their films. Gosling’s acting in Drive and La La Land are the most impressive to me. I couldn’t take my eyes off him. The roles he played were totally different, but he nailed each of them. And Evans has been a favorite of mine since his breakthrough performance in Cellular plus his wonderful Captain America role. 

Unfortunately, The Gray Man doesn’t seem to care about entertainment. Instead, its main goal seems to be shock and awe. How many explosions can we show? How fast can the chases be? How loud can we make the sound effects and even the background music?       

Action, adventure and ennui

  is what “The Gray Man” seemed to me

Noisy and fuzzy, it’s a mess.

CIA dark secrets? Oh yes!

 

A global manhunt takes up time.

But darkened scenes are the real crime.

Ryan Gosling is the hunted one.

 He runs and shoots until he’s done.

 

Chris Evans is the crazy guy.

He must kill Gosling or least try.

 Beware, fans, your ears may implode.

 This movie is a heavy load.

Based on Mark Greaney’s novel of the same name, The Gray Man begins with Gosling’s character being taken out of prison by a mysterious CIA man who wants this prisoner to assume the name SIX and be a hitman for him. But the plot soon turns as SIX (who shows some heart, even in the crime he committed) ends up the target for a psychopath (Evans) and other international assassins.

You can see why Evans has the meatier role here. And he makes the most  of being a villain. He even looks and talks different. He also gets a few humorous lines that almost make us laugh.        

Other cast members are difficult to watch as the scenes go by so fast. Beautiful Ana de Armas plays a brave co-worker who tries to help SIX. An unrecognizable Billy Bob Thornton is the one who hires SIX. And scary Dhanush portrays another brutal assassin. But they (as well as the great Alfre Woodard and Bridgerton’s Duke of Hastings, Regé-Jean Page) are all incidental to the film’s special effects and overdone set pieces.

Regarding those end credits, you should definitely watch them. Absolutely gorgeous! Too bad some of that class wasn’t used on the film itself.

(Released by Netflix and rated “PG-13” by the MPAA.)

Directors: Anthony Russo and Joe Russo

Screenplay Writers: Joe Russo, Christopher Markus and Stephen McFeely:  

 

 



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Reviewed by Ronald Hull
Reviewed on July 30, 2022
I didn't know you watch and review this type of movie. There is a explosion of them and they all seem to have the same theme. Each one trying to have more action and violence not seen in real life than the last. And dark scenes. Ever since digital cinematography and using natural lighting, these movies have been very dark at times that make me thankful for my bright closed captions.

I don't know either of these actors even though I've seen one Captain Marvel and find that I have had enough of that genre with most of the characters going so far beyond reality that their supposedly moral lessons are lost in all the action and destruction.

I'm sure there I have been definitive studies done, but I believe that it is movies like this one and electronic games that give the viewers a desensitized view of killing and the use of guns. Some feel if they acquire these guns, they will use them.

Ron


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