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Betty Jo Tucker

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Books
· Cinema Stanzas Two: Poet Laureate of the Movies

· Cinema Stanzas: Rhyming About Movies

· The Reel Deal: Writing about Movies

· Susan Sarandon: A True Maverick

· Confessions of a Movie Addict


Short Stories
· Call 911!

· A Very Short Story

· The Ruby Slippers Caper


Articles
· My Ten Favorite Movies of 2024

· Paris Christmas Waltz Review and Film Poem

· The Fabulous Four

· Twisters Review and Film Poem

· A Family Affair Review and Film Poem

· Jim Henson: Idea Man Review and Film Poem

· The Fall Guy Review and Film Poem

· Tony Shalhoub and Monk

· The Beekeeper Review and Film Poem

· The Beekeeper Review and Film Poem


Poetry
· Maria Film Poem

· Wicked, A Short Film Poem

· Inside the Mind of a Dog Film Poem

· Ode to Simone Biles

· Faye Dunaway Film Poem

· Remembering Gene Wilder

· On Being 93

· My Sister's Birthday Poem (85 Years)

· The Holdovers Film Poem

· Oscar Best Pictures of 2023

         More poetry...
News
· Cinema Stanzas: Rhyming About Movies Now in Paperback

· Cinema Stanzas Two Now in Paperback

· Cinema Stanzas Two Wins Poetry Award

· First Place for Cake: A Love Story!

· Cinema Stanzas Poetry Award

· The Rocky Horror Picture Show: Then and Now

· Debbie Reynolds in the Spotlight

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Wildling: Review/Film Poem
by Betty Jo Tucker
Last edited: Thursday, October 18, 2018
Posted: Thursday, October 18, 2018



     
Where the Wildlings Are

Beware the wildling creatures! They dwell in the forest, have sharp teeth and claw-like fingers – all the better to steal and eat small children with. At least that’s what filmmaker Fritz Rohm bases “Wildling,” his first feature film, upon. Fortunately, he’s put together a first-rate cast to help us suspend disbelief while watching the scary tale unfold on screen.


Brad Dourif, Bel Powley, Liv Tyler, James LeGros, and Collin Kelly-Sordelet deliver realistic performances in key roles, which is so important in a film like this. The cinematography by Matt Tobin also deserves recognition for its atmospheric presentation, and the screenplay co-written by Rohm and Florian Eder avoids over-the-top dialogue, which also enhances the film’s believability.

Bel Powley turns in a stunning portrayal of Anna, a teenage girl who finds herself thrust into a world she has never known before and goes through changes that mystify and terrorize her.

        

A child is trapped in just one room.

Is this youngster destined for doom?

“Daddy” comes in for food and such.

Why does he seem so out of touch?

 

Stories he tells of blood and gore.

Where can he find this kind of lore?

Mystery seems everywhere

in Wildling. So see it with care.

 

A well-done movie to be sure.

Lead actress Del becomes a lure.

She scares us yet earns empathy.

But dare we give her sympathy?

 

Bad things happen beneath the moon.

Can she resist the path to ruin?

This horror film and fantasy

made my heart pound ferociously.    

 

Powley seems perfect in the lead role here. She convinces us of Anna’s feral nature, even though we see this young girl go through a stage when she wants to know how to fit in. Plus, she demonstrates great physical power during some wild scenes in the forest where a mysterious Wolf Man (James LeGros) dwells.

Our heart goes out to her, just like Sheriff Ellen Cooper’s (Liv Tyler) does  after Anna’s “Daddy” (Dourif) disappears. Ellen even takes her into her own home to try and help the orphan. And Ellen’s younger brother (Collin Kelly-Sordelet) becomes emotionally involved with Anna.  

It’s refreshing to see so many important themes dealt with in a horror film. Coming-of-age, self-identity, family, bullying, love and compassion all receive attention in Wildling. It’s a very engrossing and terrifying film.     

(Released by IFC Midnight and rated “R” for violence including bloody images, language, some sexual content and teen drinking.)

 

Web Site: ReelTalk Movie Reviews


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Reviewed by Ronald Hull
Reviewed on October 19, 2018
Another great review. I won't comment until I see it.

Ron


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