The drums they beat
and the fifes did play
when we saw them off
to war that day
and the waving flags
from the cheering crowd
and the marching music
made us feel proud
when we saw them off
to war that day
when the drums they beat
and the fifes did play
........
But that was then
and this is now
and the dead return
and we’re asking how
and we’re asking why
the truth is kept
from the grieving nation
and the ones who wept
when we saw them off
to war that day
when the drums they beat
and the fifes did play
...............
So now when this war
is not yet won
where is my kin
with his blasted gun
that you promised would free
the folks at home
from the terror beneath
the pointed dome
as we saw them off
on that cur-sed day
when the fifes and drums
so mocking played
.......
.........
Now is the tyme of their return
in covered gaudy cloth
cold and silent
lying sterile from
Allah’s wrath
i see my brother descending
in desert depth far away
i’ll not see him again
perhaps another day
i saw him off with tears
as fifes played
and drums beat
on that day
as they marched away
into the mist
the pibroch lonely lilting as
he disappeared..........
if battles are lost
or perhaps won
a coloured rag is a
poor substitute
for a fallen son..
The songs and art in this book are about our collective emergence after the pandemic and trauma of the last few years - comprised of 5 collections: World as Refuge, Where We Live, In Our Hands, Rhythms of Change and What We See & Sow.
Robin Ouzman Hislop's poetry is certainly in dialogue with some of the key architects of the 'poetics of indeterminacy' – both the Modernist strands represented by the likes of Beckett and Stein, and the postmodernist strands represented, initially,