VENUS DE MILO
Nostalgia makes her arms long,
graciously extended in sweeping
arabesque, pointing the way or
crooked in gentle enfolding.
Her eyes gaze up – see
the scope of their firmaments
reflected in skies’ own –
and her hair gushes forth,
wild and impulsive:
an unrelenting torrent…
Whilst memory bigs her up,
grief, instead, strickens:
limbs are torn and rent,
torso buckled;
head bowed,
neck bent.
Love: so often perfect
in retrospect; so often, too,
a lingering disfigurement.
The second image was brought by your second to the last stanza and made me think of prayer... how even in our times of greatest grief and trial, we can be lifted and raised through prayer.
I know that wasn't really what your poem was about, but it hurts to think of how love can shoot us full of holes and bring disfigurement...maybe just too close to home right now. :)
Hugs,
Cryssa
Sheila
JOYCE * HIS INSPIRATIONS
Axilea
*:)*:)*:)*:)
*:)
increasingly I prefer my love in retrospect. -gene.
Really a brilliant study of how we are born and yet dying at the same time, how we love and yet how much disfigurement we undergo in the meantime, because we are in this earthbound state of being.
Love,
Chris
Much peace, love and light,
Amber
Crazily good!
and very personable..once full love,
now partial memory and mystery
and that 'lingering disfigurement'
is a calling card, a prophecy, an inevitability.
John
A grabber. Kick ass shock. My kinda writing, Kate. I daresay there have been more "limbs are torn and rent, / torso buckled; / head bowed, / neck bent." than there have been that wonderful,m gushing, almost sickening kind of love the romantics go on and on about. For every gushy line there are three lines left out that tell the real story.
Yep. I loved this.