See, some cities rest in dust
quite dead bodies slowly merging
in tons of polluted sand
and faded spirits barely floating
in the gray air, like fly ash -
Time is filled with contaminants:
downside up, the old boy’s life
not liver-colored since love has gone
there’s resignation, there’s repetition
not so bad, not so bad
on the dark couch, one more stain
not so bad, could be worse
thoughts blur into soporific mantras
become prayers to mediocrity at dusk
when those cities rest in… -
With bruises almost inexistent
when darkness falls and lights are dim
in a container that could be labeled
and shipped to immobility
(not so bad), where he can drown
in isolation, slow deconstruction
gratitude kept, plus some submission
bruises barely visible to the conscience
behind soiled curtains,
behind soiled windows
behind the heavy veils of rain -
Some souls rest in the dust
of bodies with no intent:
limbs inhibited, skin that barely ages
doing nothing, heart just pumping in a cage
while the graveyard-city eats their dust.
No intent, for sure. So sad they are our brothers and our sisters and now are the slaves of time's prison. They must wait fir the doors to open eons from now.
Too true, we become--injest a bit what we constantly stare at, in this case, grey, decaying walls.
But by the same token, this poem reminds me of the little flicks I spent watching this spring about old ruins of ancient civilizations, once thriving, booming metropolises, like the islands in the Mediterranean Sea-- Crete and others, like ancient Rome, and Ephisus (and I'm sure I'm murdering the spelling on all of these), but my point is, even as we're just in the midst of booming economy (or our recent down-turns), we're sure to be nothing more than ruins eventually. What a waste of humanity if we don't escape our little cubicles and embrace life, knowledge, spirituality and each other. --Charlie
fly ash is the veil impeding truth, fostering creation of mantras established upon a base of whimsy -- some cope though overwhelmed with the pangs of apathetic ambition while others are consumed and overtaken by the grave -- truth reeks with the improbable aromas of life, the living dead and death-wafting mingled in the air to be consumed by the fly ash -- emotions float and embrace one another in this work Axilea -- my imagination is overloaded while my senses are honed with expectation -- I bid you love and peace my friend -- Jon Michael
This tugs at me, Axilea,
and draws me in several directions at once..
an uncomfortable feeling because it becomes
personal and is laced with mortality.
The captivating music of birds and the enchanting beauty of roses have, each in their own right, inspired people around the world for as long as anyone can remember. How the two combine with the challenges faced by a struggling writer in Georgia to c
Chip Bergeron
But by the same token, this poem reminds me of the little flicks I spent watching this spring about old ruins of ancient civilizations, once thriving, booming metropolises, like the islands in the Mediterranean Sea-- Crete and others, like ancient Rome, and Ephisus (and I'm sure I'm murdering the spelling on all of these), but my point is, even as we're just in the midst of booming economy (or our recent down-turns), we're sure to be nothing more than ruins eventually. What a waste of humanity if we don't escape our little cubicles and embrace life, knowledge, spirituality and each other. --Charlie
solemnly written ...
Regis
fee
and draws me in several directions at once..
an uncomfortable feeling because it becomes
personal and is laced with mortality.
John
the beauty, a marvelous intellect explodes in these lines. -gene.
Blessings,
Christine