THE GRAPE ROOM
The room in which we have not lain wrapped like
grape leaves from some sumptuous Greek dish
will be musty, cluttered, and have a single point of light
that will disappear within the space of one long kiss.
Right now, the cat in here, not in that other room,
eyes me suspiciously, peering from slit eyes when I
exclaim over how he can sleep with his head upright.
He knows there is more to the world than meets closed eyes.
The room in which we have not lain might be a cold room,
but there will be quilts and steaming mugs.
Shadows of former and present lives will find us
though we shun them, and in the dim light of one
unscented candle I will reach for you and you will
circle my thin wrist with tremulous fingers wondering
if it would snap if you took me the way I wanted.
The room does not exist, of course, except
in some stepping out of time, of space, into a
parallel universe of alternate whispers and storms.
In the room here, across from the cat and high on a shelf
sits a clock. My clocks all lose time.
Some say I carry an electric charge that somehow
affects the hands, halting them in their solemn promenade.
You talk often of distorted time.
I wonder if the room in which we have not lain
will ever hold us, or whether it should. Tonight,
I write but you answer little, whereas before,
you answered, oh yes, little; you are not a man of words
so much as other things. But something is different.
I feel it in the still night air, hunching beneath a
bare-bulbed lamp, that lazy lump of fur now dreaming
in a tight silly ball, and with a book for company.
I wonder if you will send words that say
I cannot wrap you like grape leaves and there is no room,
that we must abandon such foolishness, that, as you .
often mourn, life is not fare. And I will say,
but who wants life? I want just the parts between its lines,
Its shoulder blades, its thin unsteady limbs.
My darling, we are old now; most clocks do keep ticking.
Where is the dusky room
In which we do not lie --
do we dare unlock the door
and work its rusty loom?
Copyright 2008 Julianza Shavin
Be always safe,
Karen
You, Julie, despite your quiet protests, are one damn fine writer...
professional all the way. This is fascinating, rich in all the elements that make great poetry. So highly intelligent. The tale perhaps is sad, but the writing is superb. Oh, yes, there is that one typo: ywill. And is it fare or fair? Who cares? The poem is a work of art, to be read and read again, as I plan to do. -gene.