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Mor o' Inchrory

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Word’s Amative Verse, of Baccara’s Black Rose.
by Mor o' Inchrory → (All Poetry by Mor o' Inchrory)
Tuesday, March 24, 2015    Rated "PG13" by the Author.
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A rethink in two styles.

  I will dispense with any indication of how I arrived at the following lines, though it would be interesting to know what others think of my observations. What could have been the scenario to engender such poetic ascertainment of human behaviour?

Where does it lead you, if anywhere?

I have made two attempts to finalise this poem,

Therefore, I have posted them both, the second in a slightly different style and direction.

When I become famous, I may write a third!

That is if the devil will allow me such freedom from my designated chores.

 

First attempt.

T‘was not that white glove- you dropped at my feet:

with its subtle fragrance, of fresh Dolce Gabbana.

Curation’s moirai - sought ineluctable meet

as time’s last hunter, of our yester’s Ostara.

 

Where vernal over-reaches versant on its own:

and peers not, those passing fermits -of-night.

It fears not Machiavellian’s ferine cologne

whose, dark lust, needs to betray ne’er a light.

 

For seldom, it’s pled, in past aislings o’ dead,

where passion’s presence, it did wither and die.

That love’s but –appetence set fair in our head,

when, time’s agrestal rose, is verisimilar- awry.

 

Where amative thorn rips- vitea fabric apart

to show id’s arcanum -its own pollent of heart.

 

And cries like hamartia’s- reverent banshees, of Hell

When, aphotic secret- sensorium’s portents do tell.

 

For it’s in jostled sin of machinations own joy

That gives muse, its entourage- and suite to employ.

 

Second attempt. In a Somewhat different direction.

 

It was not your white glove: of ‘invitant côté’

or esoterism of Dolce and Gabbana.

It needs not curation; give voice its vendee,

or self, a set of reply:

Those thoughts perceived by its drama,

or truths it seeks now deny.

 

It fears not ferity’s Machiavellian cologne

whose, lech plies serotine ne’er a light.

A purpose pled, of poet’s darker eosin

that lacquers its last icon dark,

in those flames wafted by feigned self-fright.

Or emotions of a divided tetrarch 

 

Where zetetic thought flourish and approval apply

 Affaire de Coeur; appetence set on afar.

Truth dare not deny agrestic lusts of a sigh

for Sibyl sees its self-lenition

where Sistine’s pale is set so ajar,

to mindedness of attraction...

 

As amative thorn rips- vitea fabric apart

and cries hamartia’s reverent orée:

To show arcana’s, own pollent of heart,

like vagrant virgins of night.

Aphotic secrets, of their portent’s ennui

and cries of their sometimes delight.

 

For it in jostled sin of darker envoy

that gives muse entourage and suite to deploy.

As we retrieve fortuity's symbolic white glove.

Which salient action, be then seen as ours;

Intrinsic fortuity’s black Baccara of love:

Man’s ruminate motif, of own dark hued hours.

 

 

 

 

 


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 Reviews of "Word’s Amative Verse, of Baccara’s Black Rose."
Reviewed by Ronald Hull
Reviewed on March 27, 2015
Without going to the dictionary every couple of lines, it is difficult for me to discern the full meaning of your poem, regardless of version. Methinks that if I was a poetry critic, I would discern all of these words and then come to some brilliant conclusion as to the worth of the poem.

Unfortunately, time and energy spent elsewhere makes me allow others to either praise or deny praise for what you have written. If my inclination is right, then you did not communicate to the masses (and include me there among the poetry of uneducated). However, among poetry aficionados, your poem may be superb.

Ron

Reviewed by E Phillips
Reviewed on March 26, 2015
Every time I think I'm gaining a little class and skill with language, Mor comes along and knocks me for a loop and sets me back into the Dark Ages. I thought Dolche Cabbana was a nice spot on the Italian Riviera, not ladies' toiletries. That's how lost I am. But I sure enjoy the trip along your highways and byways.

Reviewed by Regis Auffray
Reviewed on March 25, 2015
I will simply echo what Richard has stated below; certainly, your poem is worthy of much more than a single reading. Thank you for sharing. Love and peace to you,

Regis

Reviewed by Mor Inchrory
Reviewed on March 24, 2015
Hi Richard,
Thank you for your observations. It was never my intention to make easy for the reader.
This was drawn from a real live scenario I observed in an up market bar in Madrid, I merely changed from narrator to active participant in the proceedings.
I imagine that you were spot on with fifty quid, or more than likely it was a thousand pesetas.

Reviewed by Richard Cederberg
Reviewed on March 24, 2015
Though a poem can have a certain impact on the reader the poet cannot expect the reading audience to understand all the nuances. Can poetry like 'BACCARA'S BLACK ROSE ever be fully realized by the poet or the reader? Douglas Dunn posits: 'A poets cultural baggage and erudition can interfere with a poem'... What do you think about that? Because I've learned personally that it was true of (some) of my own work years ago. It was a revelation that changed me. You march to a different 'poetic-drummer' than the majority of the hoi polloi my friend. Always intrigued with, and appreciate, your work. I've read a lot of Scottish poetry over the years, and a few of its authors, and I find your voice unlike any other. In the world of artistic endeavor that's what originality is all about. Continued inspiration... rlc

I'll see what I can come up with for fifty quid. (-:

Reviewed by George Carroll
Reviewed on March 24, 2015
Some words escape my dictionary others are meant to enhance the verbiage contained in this poem.


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