Bare harbor house stands empty now
Where busy quays were then regaled
Faded cedar frames boarded glass
Silent pine eyes
Scan umber waters where pirates’ ships
Once sailed.
Wall to stone sea gives grudging retreat
Granite vanity shield on which seagulls play
Hide-and-seek along cloud-muted sand
Defiant cries
Daunt waiting ears, as battered piers begin
Grim sway
Her flamenco by warm Mexican gulf
Wild tarantos call gypsy wind
Trails manton, exposed wanton soul
With every braceo, twist and bend.
Skirts twirl wide, careless sequins rain bright
Solitary star shine touches her veil
Serpentine weave through emerald night
She dances too close, vanilla smoke breeze
Mixed with raw tamarind sweat dares
Common sense, dusky affilá
Groans, fingers tantalize, intense stare
Cleaves through ripped skies, nails tear broken skin
Final barrier yields, sends gulls on their way
Seeking ports unknown under gray shroud
Exhausted sighs
Drift downward, tin cast on sable velvet
Dismay.
Deserted now, harbor house leans
Where King Cotton long past was baled
Cracked, peeling paint, salt-stained planks begrudge
Duende lies
Watch hurricane tides where clipper ships
Once sailed.
A further collection of poems, many from years in the Middle East, but also the California San Francisco and Central Coast areas (Santa Cruz, Carmel, Big Sur, Berkeley, etc.).
Each person is but a grain of sand resting beside the sea. This thought sets the tone for Jill Eisnaugle’s latest poetry collection, Beside Still Waters.
God bless,
Sandie.
Tami
Safe in Southwest Houston
Ron