I’ve been to Little Big Horn
where Custer’s lust was cut to bits,
his brothers blindly led to where they’re dead,
his soldiers felled as they fled,
and hid, huddled behind horses
they shot as a shield.
Blood spilled, the spatter scattered tombstones
grow in greasy grass*
battle seeds sown in precipitous advance.
His Stand doesn’t stand—
long named for the loser,
lies at the feet of Lakota and Cheyenne,
at last—Archaeology meets History,
shatters myths, and shames;
arms, with an aim at its heart,
an apt rewrite, rename.
I’m told the field still looks the same.
I’ve been to Rosebud and Pine Ridge
and seen the raw edge of outrage
on two Wounded Knees, and the penalties
(the civilized are the savages in the piece);
where trailers seemed to town the reservations
and prefabs punctuate,
and rusted cars scar the landscape.
I’ve seen the poverty—The People* endure,
land rich, paper dollar poor;
this continent’s third world counties,
essential services their lacks.
And they pretended they weren’t there
when I looked for them, empathy to spare.
The place is theirs, but not their stamp:
wealth once counted in herds.
Their treaty’s their treasure; the trade, the neglect:
Paha Sapa’s not for sale—decision I respect.
I’ve been to the Badlands,
beyond imagining, forbidding
expanse—entranced:
The wind, shifting, shaping,
the gullies and spires and labyrinth sands;
an inch each day eroded, changed,
never the same, did you know?
The light, sunrise, sunset, shadows, shading
“peaks and valleys colors in delicate bands…
and a thousand tints the color charts don’t show”*
I’ve been to the Black Hills,
best of all, a small rocky mountain range
in the midst of the plains,
“an island of trees in a sea of grass”*
a breathtaking terrain my eyes traced
like a lover’s a lady’s lissome curves,
the granite core, towers of pines and alpine meadows
where buffalo roam right of way—and my spirit soared—
and I understand—this is Sacred land.
Hey, that's 'tastic - I love the General Custer story (I'm on Sitting Bull's side of course)and I am going to stake a claim on this piece for the Greenteeth Labyrinth which works by having overlapping menus. The idea is to gather lots and lots of hits for me and my colleagues. Now getting the travel, history and poetry menus to overlap was posing a bit of a problem til I read this.
I'll mail you, OK.
BTW designing Greenteeth has occupied me for the second half of last year and most of this. Studying the Google algorithm to find out what works seems a bit nerdy but at last I have a killer strategy for linking that will get those SE spiders crawling all ovre us.
Still Living on my Feet is the follow up to Tichaona Chinyelu’s first book, In the Whirlwind, which was rooted in a sense of hard-hitting revolutionary black love. However, in this sophomore effort, Tichaona brings the revolutionary essence from deep
A further collection of poems, many from years in the Middle East, but also the California San Francisco and Central Coast areas (Santa Cruz, Carmel, Big Sur, Berkeley, etc.).
I'll mail you, OK.
BTW designing Greenteeth has occupied me for the second half of last year and most of this. Studying the Google algorithm to find out what works seems a bit nerdy but at last I have a killer strategy for linking that will get those SE spiders crawling all ovre us.
What do you mean "what is he on?"
love
Ian
Fee