At dawn the abacus looked tired. In the evening it got down on all fours and started to count down.
Didn't get far.
The horse and buggy spied bees wax and worm silk alongside the road and made a connection. The Lotus screamed by making an appalling puree.
The bushes don't like heights and panic when they think of the concrete way down below. It meant so much more on the ground, leaning in for a tussle with farmer Brown.
The watch lost its dial, then its hands; When it went digital unrequited, stubborn sun finally lost hope and turned in.
Salim had a nose ring and it started to sing. The last Pulitzer Prize bard of the end of the twentieth century: "I kicked out a chunk of flesh to get here and regardless of what they say, tear up that tabernacle . . . tear up that tabernacle of clay."
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Reviews of "This is the Last Dance? If so We Should Sing"
The symbolism is superb, and the imagery bears the colors of the rainbow of the Poet's heedful eyes and mind to poetize this magnificent
poem, "This is the Last Dance? If so We Should Sing", which diffuses the scent of a poetic flower.
Mary Angela Nangini's poems celebrate the richness of life and love. From the city to cottage-country and the roads in between, Nangini explores the changing seasons of her varied region. (This book will soon be reprinted in hard cover.)
The symbolism is superb, and the imagery bears the colors of the rainbow of the Poet's heedful eyes and mind to poetize this magnificent
poem, "This is the Last Dance? If so We Should Sing", which diffuses the scent of a poetic flower.
In admiration,
Andre Emmanuel Bendavi ben-YEHU