I just have a few words to say about unity of viewpoint, time and place in a piece of flash fiction. Nothing I propose in this piece or in any article about how to write flash fiction is suppose to be taken as hard, fast rules; all my writing tips are about the parameters of writing flash fiction that I've figured out for myself and that helps me get published. I've had many of my stories published by online and print publications and they continue to get published. So, here's something that I've learned that keeps me getting published: use only one point of view in you flash story, keep the story to a very short time frame-a few minutes to a few hours-and keep the locale of the story in one place.
Once again these are only suggestions. These tips are working for me. Maybe they can work for you.
Not so long ago, when we started our exchange of words I said that you will become one of those rare ones that with unselfishness share.
I am sure that many new beginners have benefit from your tips.
Author, you have my utmost respect.
Georg
I Made My Boy Out of Poetry is a powerful literary vision of rare scope, beauty and emotional intensity composed of stories and poems that flow in and out of each other like the most lucid and articulate of dreams. These are portraits and studies of
Soldier's Gap is a non-traditional mystery with literary elements. The high school principal is brutally murdered, but Deputy Sheriff Dave Jenkins's search for meaning and love is a much more significant theme.
"Murder isn't usually this fun
I am sure that many new beginners have benefit from your tips.
Author, you have my utmost respect.
Georg
Brett