AuthorsDen.com   Join (free) | Login  

   Your Online Literary Community! 
 Signed Books - Tell a Friend!
 Popular! Books, Stories, Articles, Poetry
Where Authors and Readers come together!
Visited by 1,400,000+ people monthly.

Signed Bookstore | Authors | Books | Stories | Articles | Poetry | Blogs | News | Events | Reviews | Videos | Success | Gold Members | Testimonials

Featured Authors:  Cheryl Sellers, iCarole Schutter, iLaurel-Rain Snow, iDoug Boren, iKristy Tallman, iBarbara Henry, iDon Peavy Sr, i

  Home > Vision/Metaphysical > Books Popular: Books, Stories, Articles, Poetry     
Michael A. Guy

   Become a Fan
   Contact author
   Books
   Articles
   Poetry
   News
   Stories
   Blog


· 101 Titles
· 905 Reviews
· Add to My Library
· Share with a friend
· Add to Favorites
·
Member Since: Aug, 2007

Bookmarks
Add this page to
your Bookmarks List
 
Michael A. Guy, click here to update your web pages on AuthorsDen.com.




Popular
Vision/Metaphysical Books
  1. My Spirit Helpers
  2. The Avatar Syndrome (Prequel to Headless W
  3. YESHUA, A Personal Memoir of the Missing y
  4. One Just Man [2nd. Ed.], Prequel to Elohim
  5. Creation Theory Revised

Featured Book
Frantic
by Frances Lynn

A nostalgic novel about the early '70s. ..  
Gold Member BookAds
The Golden Flute - cracking the ancient precessional code
by Michael A. Guy   

Category: 

Vision/Metaphysical

Publisher:  Self Type: 
Pages: 

84

Copyright:  Dec. 31, 2007
Fiction

See larger image

A musical fantasy and adventure story that follows the spiritual evolution of a young boy from an ancient Asian civilization, now lost. A culture that may have formed the myths we have today of the great lost Harappa civilizations of ancient times, perhaps thriving along the Indus River as long ago as the end of the last glacial. Chaitya, the boy of seven, is told by his Enlightened Guru (Teacher) that he will embark on an immense journey through time, reincarnating in many different roles as various figures through history, under special guidance to fulfill not only his own development but to play an important role in the future evolution of culture on Earth. Associated with his soul wanderings is his attempt to become a master of the golden flute, given to him by his ordained guru. It follows him as the Divine gift of music making.
The flute has power to unlock the mystery of God's love which is the key to change the world for better at major periods of world crisis. He is given a musical riddle or aural key; to solve as his musical mantra by his Master (Teacher).
Despite the forgetfulness associated with each renewal of life in each reincarnation, his powerful subconscious mind continues to work at the musical riddle of perfection and attracts the associations and events he needs for his next lessons in each life. This is aided by the Timeless contact he resumes with his Master between each incarnation (in the Astral Heaven), reviving his expanded Mind and renewing his Knowledge of his big-Self destiny. He then has regained awareness of all the roles he has played out in human life throughout the millennia since the last Golden Age.

Michael Guy's Music & Books

 

Table of Contents
THE GOLDEN FLUTE
Cracking the Precessional Code
 
PART I:  Circles in Time
Preface –Allahabad, India, 1894……………………….1
Tableau One -The Seven Treasures
 10,501 B.C. Jammu, Kashmir near the headwaters of the Indus River
The Prophecy........................................................................ 4
The Old Temple................................................................... 11
The Riddle of Sevens: the music lesson.................................. 16
The Seven Inner Stars.......................................................... 23
The Student Teaches, the Teacher Learns............................. 27
The Old Indus Prophecy Illuminated....................................... 35
The Hototogisu’s Mournful Song/the Golden Tree..................... 42
The Serpent Sapati bites his Tail/the Palace Falls
The Princes of the East Wind Open the Tenth Door
Like a Door....(opening and closing): Chaitya’s Heaven/His Master’s Voice
Tableau Two - Krishna’s Golden Flute
Tableau Three -The City of the Sun at Sippara /
                                            The Deluge of the Chaldeans
Tableau Four - "The Great Light" The birth of a Christ, Palestine
Tableau Five - “The Lost Years,”  
On the road west of Rabbath-Ammon (Philadelphia) to the Dead Sea / Jesus the Christ at 27 returning from visiting "the Magi" of Gandara, India........................................................................................................
  
 
 

  

TABLEAU ONE - The Seven Treasures
Year: 10,501 B.C. in Jammu, Kashmir
Near the headwaters of the East branch of the Indus River where the border of India and China is today, with the Karakoram mountains to the North
 
"Love rules the court, the camp, the grove,
The men below and the saints above;
For love is heaven and heaven is love."
 
It was in the year 10,501 BC; by our standards today. For the people of
that time and that world, it was known as the "Year of the Mournful
Hototogisu" The Hototogisu was a rare cuckoo bird and it was said that in the ninth moon, when the mountains turn white on the distant horizon, the Silver Trees along the ‘River of SevenTreasures turn golden; then the  Hototogisu will sing its last mournful cry, for the Golden Age of the 6th world cycle, the Satya Yuga, shall end.

 
 
An Ancient Kingdom had spread for centuries from the valley between today’s Karakoram Range and the Zaskar Mountains, near Leh, on the Indus headwaters, spilling out along the route north toward the ancient temples of the “High Beings of the Universe.” This kingdom had no earthly king residing over a material kingdom, but rulers who they called “Devatas.” They were said to be Princes of a Celestial Kingdom, who came and went as they pleased in the great cyclical Cosmos of Time. They had come long ago it was said, bringing celestial arts and powers, having overcome their mortality, or at least it seemed so to the poor, miserable struggling humans who had been groping and gathering in a harsh wilderness for millennia, barely scraping out an existence. To them at least, it seemed they were gods, and so they were named and treated as gods. And yes, they brought “technology” to the struggling and emerging human race. And a promise that this race would be capable of so much, despite the rigors of what their gods called evolution, and despite the inevitable catastrophes of a violent, but living planet.
     How had they come, it was always asked? But in the genesis of this civilization, lacking a written record, it was never fully understood by the struggling and newly emerging citizens. The people of this world were found to be accepting and embracing of their appointed leaders. They wielded no harsh material power over them by force; each province was given a “spiritual” leader and a sacred name and symbol (called a mandala). The leader was said to be an Enlightened One, capable of communing with the Princes (the High Beings of the Universe) who resided in their Temples deep in the North Mountains of Karakoram, or appeared and disappeared as they pleased. These leaders brought material to the people to teach them the arts of agriculture, animal husbandry, astrology and observations of the heavens; mathematics, written language and most especially the sacred power of musical arts were greatly enhanced.
     At this point in time few could remember the history of how, they had brought “technologies,” as they called these new powers. These simple but powerful tools were used to harness the powers of the earth and to build the great stone-block temples and buildings that had now stood for centuries. These tools and powers were not technology, synthesizing chemicals and metals and burning fuels to generate power; not the mechanical arts, but they were tools all the same, techniques used to harmoniously amplify the natural forces of the earth. It was said that the buildings had been put in place long ago, when these beings could harness magnetic properties that the earth generated, to move large objects. They directed and produced unusual edifices and devices to harness earth’s currents of wind, water and vibrations of the earth; tools used for cutting, mining and building structures.
To the south, down the great Indus River stretching out to the sunny plains, and eventually winding through a desert and pouring out to the sea, the Princes spread their language, techniques and tools for building boats and providing farming in suitable areas. The people there thrived with these tools to become fishermen and farmers, eventually building villages and abandoning the nomadic way of life that had been there only subsistence for thousands of years. The language now diversified yet was unified by similar characters, so that the spiritual leaders used what today is similar to Sanskrit, and the people of the southern plains and the northern mountains could mingle and share their “works”. Importantly, they transcended writing on clay tablets, now developing a process of making parchment that they wrote on in mineral inks. This pleased the Princes. Now they could spread their knowledge and understanding of their spiritual world; in a sense, bring to these simple people, this world’s first religion.
The people looked up to the “High Beings of the Universe” in the remote mountain temples of the north. Here they meditated on the Source of Life and guided the people, issuing edicts to the Enlightened Ones in each province. It was learned, the most important center of power was in a place they had come to call “Chambhala” the great Portal Temple, where the “Princes” had their ring of Fire & Power. From here, it was passed down through the Ages that they had a portal, a sort of fiery tunnel to make one’s way through the ancient Serpent Sapati’s coils of Time and Place. Yet no human could ever find it alone, unless guided by an Enlightened One, for it was not a physical object, although it had a physical locale in the sacred Temple of Chambhala. This place was a seat of power, one of many in our Universe, a winding door to the Godhead. Only the collective, purified will of all the “High Beings” could sustain enough energy to open it. It was used to save what they called the “Remnant.” But when the destruction of this 6th Great World Cycle began, bringing to a declining end this phase of the Creator’s civilization, then The Princes were instructed by the “Great Light” to save something of this stage for the next, brought on by the inevitable changes of the Earth below and the Heavens above.
  
The Prophecy
I
n that ancient land, stood the most magnificent palace by the Seventh Treasure, the famed plateau shrine of the Four Winds along the River of Seven Treasures. There the silver trees shimmered in the wind, tossing their glossy surfaces to reveal opaque undersides that shone a dull white, yet now with just a fringe of gold.
“Oh grandfath..., I mean Master. Master! Wait along that lake road! I have seen the temple of Chambhala this very day! Yes, there at the forest temple, an altar of sticks and stones and a ring of fire, but the Princes were gone.”
“Huh, Chaitya! Come here foolish boy. What an imagination you have! You have not seen the Temple of Chambhala. It is far towards those whitening mountains in the north. Besides, only a Master may take you there... when the Princes so desire of course,” said the old man, his balding head, banded by graying long hair, shining golden in the afternoon sun slanting over the thin blue lake stretching off to the south. The freshening breeze kicked up a dusty whirl along River Road. A few villagers passed by leading their Dumbras straddled with supply bags. They were a domesticated tiny horse-like animal, with a stringy coat of thin hair. The old man waved and greeted a few cheerfully, they too so happy to see him out walking.
The old man gently scolded the thin but sturdily built boy of perhaps seven to nine years: “I ordered you to spend your mornings studying your mathematics and astrology lessons from Belithzar! I do not wish to deny you recreation, but when you go out, take your music lessons along and practice. Did you do any of these things Chaitya?”
The energetic youngster dashed up, skipping, kicking up a few stones and more dust along the road. “I’ve at least exercised, Master. See, I’ve ran all the way from the forest temple.”
“Running is natural to a boy. But you do not do your yoga. You cannot sit still so long. I’m disappointed you do not have your fishing pole with you,” the Master said longingly looking south along the lakeshore.
“So, you’ve been up to that ruined hermitage again? And now you’re dreaming it is Chambhala. Silly for a boy who should be learning all he can. Harmless, I suppose. But you are wasting precious time. Harassing monkeys, reading adventure stories. Did you bring your music? You’ll find no special relics there. The “Ring of Fire” and the “Travel-Portal” are meta-powers to attain by spiritual study. As I’ve said, if you’d only meditate more instead of day-dreaming, you’ll not only attain the object of your studies easily, but you’ll please me. Someday, I’ll take you to the Chambhala Temple,” he firmly but gently took the boy’s hand. “If you will study today! Besides, the next time you go, bring the monkeys some nuts.” 
                      ....Chapter One continued under "short stories"
 
c. 2007 Michael A. Guy, all rights reserved


 

 
 
 

 

 

 

 

 

 

 


Excerpt

The above quote is from the opening chapter after the Preface. Other excerpts will be serially released under Short Stories here at Authorosden.com




Professional Reviews

A Preview of an upcoming Novel
This is a "Pre-release" or excerpt from PART I of this novel. The novel is submitted to publishers and is not for sale. IT IS COPYRIGHTED UNDER MY NAME, along with a CD of music meant to accompany the story under my company JzCDz. Any reviews of this work would be helpful in gaining interest for submissions.
The full novel plans to be in three parts.



Want to review or comment on this book?
Click here to login!


Need a FREE Reader Membership?
Click here for your Membership!



Reader Reviews for "The Golden Flute - cracking the ancient precessional code"

Reviewed by Ronald Hull 4/6/2008
Tried your link to easier reading--appeared to be another part of the story. The black and light blue clashed, affecting my vision. I had to stop reading.

The cover is beautiful, outstanding artwork.

Ron
Reviewed by John Leko 4/4/2008
...my wishes of luck for a masterful novel Michael...
John
Reviewed by Charlie 4/3/2008
You have a long and complicated plot-- quite an undertaking-- That having been said, I like the plot a lot.
Complications you may run into: 1)Explanations and definitions may take from the overall story. 2)Dialog will be difficult to work in (in Eng) to make it sound authentic. 3)Descriptive elements will be necessary for the readers to "get into" the novel, but too much of it will make the book pretty long.
I've never written a novel before. I can never figure out where my characters are going, nor how the story will end. It sounds like you've got that all figured out, so it's just a matter of balance now. I think if you can hear those characters talking in your mind, and are aware of the fictitional surroundings, then the atmosphere will come across beautifully.
So good luck-- I'm off to check out your other blips... --Charlie







Featured Book
Around We Go: The Kinky Side
by Tonya Chatelain

Tiffany only seemed to grow more depressed as the days and weeks passed with little to no word from Susan, she knew that Susan was busy with her new life, but she wanted ..  
Gold Member BookAds


Authors alphabetically: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Bookmark this page to your Favorites
Featured Authors
| New to AuthorsDen? | Add AuthorsDen to your Site
Share AD with your friends | Need Help? | About us


Problem with this page?   Report it to AuthorsDen
© AuthorsDen, Inc. All rights reserved.