If you’ve ever been shocked while watching a particular movie and found it hard to believe the film even exists, you might have been viewing one of the 100 motion pictures Hall selected to include in his splendid new book. According to Hall, these films stand the test of time. “They continue to baffle us.”
In the interest of full disclosure, I confess to enjoying bad movies, probably because I love to talk and write about them afterwards. One of the filmmakers mentioned in Hall’s book really made sense to me. “I don’t care if you like my movie – I only want you to enjoy yourself,” he declared. Thanks to Hall for compiling this provocative list and for his insightful, entertaining descriptions of why each motion picture made the cut.
I was elated to find certain of my favorite bad movies chosen for this distinction. Mommy Dearest, Catwoman, The Iron Petticoat, The Blue Bird, At Long Last Love and The Conqueror definitely deserve to be called anti-classics. Fortunately, after reading The Greatest Bad Movies of All Time, I have a better understanding of why I am completely shocked and baffled by them -- yet find each film so enjoyable anyway. Yes, Hall can be tough. For example, he shows no reverence for screen legends. Even icons like John Wayne, Mae West and Buster Keaton come under his candid scrutiny.
Hall’s impeccable research for this project, his impressive knowledge of the cinema, and his proven skill as a writer combine to make The Greatest Bad Movies of All Time a real treasure for movie lovers everywhere.
(The Greatest Bad Movies of All Time is published by BearManor Media and will be available on August 12, 2013. Click the website below for more information.)
Irrespective Of Dumb Reviews-
Below!!
TRASK...
Several of the movies that you wrote about from Hall's book I have not yet seen. Will try to get around to old movies when I get to old to write. But a couple of memorable bad movies that I remember were Norman Mailer's Maidstone (he gave us a long, boring talk before he showed us the movie), Cleopatra, and Waterhole #3. At the time, I disagreed with students who laughed at a movie version of Edgar Allen Poe's Telltale Heart, audience members who announced loudly that they didn't like Who's Afraid of Virginia Woolf because it was in black and white, and “hip” Stanford students who regularly watched “camp” movies like Treasure of the Sierra Madre (a classic in my mind).
It looks like Hall's book might be a guide on what to watch.
Ron