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Aberjhani

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Books
· The American Poet Who Went Home Again (Kindle eBook)

· Songbirds and Roses (paperback edition)

· Songbirds and Roses (Kindle eBook edition)

· Greeting Flannery O’Connor at the Back Door of My Mind (Kindle edition)

· Democratic Dilemmas and Divine Inspiration (A Kindle Short)

· Savannah: Brokers, Bankers, and Bay Lane (edited by Aberjhani)

· Savannah, Immortal City (Civil War Savannah, edited by Aberjhani)

· Suzanne Jackson Five Decades

· These Black and Blue Red Zone Days

· 2nd Edition Encyclopedia of the Harlem Renaissance (eBook)


Short Stories
· Holiday Tale: A Brazilian Thanksgiving in Savannah

· Come Walk With Me

· Uncut Goodies Part 4: the Current Conclusion

· Uncut Goodies Part 3

· Uncut Goodies Part 2

· Uncut Goodies Part 1

· Introducing Bonus Story Tracks

· Astonishing Tale of the Goddess and the Skylark: Part 4 of 4

· Astonishing Tale of the Goddess and the Skylark: Part 3 of 4

· Astonishing Tale of the Goddess and the Skylark: Part 2 of 4


Articles
· Recalling the Unforgettable 25 Years Later

· Democracy and Dinosaurs down by the Riverside (part 1 of 3): Culture

· Poetry and All that America250 Thelonious Monk Jazz

· Mining The Past For Hope and Motivation in The Present

· Malcolm X in a Time Such as This

· Celebrating National Poetry Month

· Dear Friends of Humanity

· Political Maybes vs. Emerging Realities

· Author Octavia E. Butler and The Fire This Time

· Conversations with the World 111: Speaking Truth to Power


Poetry
· Sunday Afternoon and the Jazz-Angel Cometh 2025

· Rainbow-Song 2025 (Part 3)

· A Fever-Cooked Dream

· Her Woman's-Body Aesthetics

· A Song of Toni Morrison My Soul Now Sings

· Seasons of Compassion Mindfully Considered

· Reflections on Ode to the Good Black Boots that Served My Soul So Well

· How Poets and Words Burn Truth into Love

· Valentine Winter: A Mink-Warm Distance Between Decades

· The Poetess Inside Her Years

         More poetry...
News
· Author Pens Tribute to Legendary Savannah Educator and Advocate

· Author-Artist Launches New American Angels Series

· Savannah Author Explores Mysteries of Creative Metaphysics in New Release

· Observing Local Author Day in Savannah-GA

· New Media Interview in Bold Journey Magazine

· New Interview in CanvasRebel Magazine

· In Honor of 500K US Citizens Killed by COVID-19 Pandemic

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Work and Soul in Michael Jackson's This Is It
by Aberjhani
Last edited: Tuesday, November 17, 2009
Posted: Saturday, November 14, 2009



     
Taking a deeper look behind the much anticipated movie phenomenon. (AP photo by Sony)

 

It says a lot that even while its principle star struggled to conserve creative energy and was simply “warming up” for the actual live performance scheduled to follow, Michael Jackson’s This Is It snagged the October 30 weekend box office in the United States with $21,300,000. It says even more that just two weeks after its opening, as of November 12, 2009, the movie has played in 3,481 theaters worldwide and generated just under $200 million in ticket sales.


At this point, going by the numbers alone, This Is It ranks second among the top-grossing music concert movies only to 2008’s Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tours. However, the latter film accumulated sales over a run of fifteen weeks. Compare that to the former movie’s much shorter run and you have the basis for arguing that
This Is It in less than a single month has become the number one music concert film in movie history.
 
  

The Human Nature of the Dance

With a brilliant fusion of rehearsal performances for sixteen songs and samples from numerous others, absorbing video footage, and informed commentaries, the rockumentary delivers everything those hoping to attend Jackson’s “comeback” concert could have hoped for with the principle exceptions being two things: Jackson’s flesh and blood real-time presence and body-to-body contact with throngs of screaming fans.

This Is It opens to an image of dancers who are not yet in musical motion. Later in the film, viewers will see their bodies at times ferociously animated or seductively elegant. At other times they will form part of a privileged audience watching a master showman at work. As director Kenny Ortega puts it, “the dancers are an extension of Michael.”
For the opening we get their faces, voices, and emotions as they speak briefly about the personal journeys that have brought them to this historic event: the much buzzed-about rehearsals for the King of Pop’s planned final concert tour.

One dancer says, “I’m excited. You have inspired everything in my life, my energy. You’re why I dance.”
 

Another: “I wanted to dance. That inspiration came from you. And you’ve inspired me and given me a reason to want to inspire others.”

 And another: “I’ve kind of been searching for something to shake me up a little bit, and give me a, kind of a meaning, to believe in something, and this is it.”

Some of the dancers can barely speak because they cannot believe where they are and that their names are now associated with a man whose blood, sweat, and soul have been defining elements of pop culture since they were born. When they do speak, often they express gratitude for an opportunity that would not exist if the famous “Man in the Mirror” had not challenged himself at the age of forty-nine to tap once more into the seemingly eternal fountain of creative brilliance that allowed him as a child to blast through the world of entertainment like a comet of visions that only blazes through the Milky Way every other century.  
 

The expressed gratitude is not sycophantic in any way. They comprise a natural response to Jackson as a cheerful giver who, seemingly through his own eyes, was never able to give too much or even quite enough. It, the gratitude, is also very natural because these are, after all, dancers. Artists like MJ himself. And they have just found excellent employment during a horrifying recession.


For these particular dancers, even more important than the promise of a better-than-decent gig in a field where plum gigs rarely come along, is the miraculous chance to work with and learn from a legend, someone whose genius could add a greater luster to their talents for the rest of their working dreaming dancers’ lives.

Please Click Here for Work and Soul in Michael Jackson’s This Is It Part 2



by Aberjhani

 

 

 

 

 

Web Site: National African American Art Examiner


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Reviewed by Chase Von
Reviewed on November 14, 2009
Great article Aberjhani and I have yet to see this but want to and even more so now! On a different note, I'm due to be interviewing someone and I want you to ask this someone a question and provide links so others can learn more about you.

I'll need that as soon as you can get it to me so shoot me an email, (I'm not sure if the one I have is the correct one), and I'll explain more, the sooner the better...

Again,

Great post here and love and respect to you

Chase:)

PS
(I know you always have something on your plate but I think you'll want to take the few minutes which is all it should take to do this)

Trust me:)

Heh, Heh:)

(Sounds like some other famous last words huh)?

:)


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