The plot thickens as the local chiefs decide to secretly infiltrate the ranks of the Faithful with their Crown Pie-ce mole, the wily Franquist woman with her long and juicy experience...when someone mistakes the half-Turk drunk for Omar...
The Ruba’iyat of Créteil Lake – Part Twenty-Eight
Other media meanwhile busy with who’s sleeping with whom
Relying on New-Sweep and Thyme to make loud front-page zoom
Mainly of those who leapfrog into top power palaces
On whether de Beauvoirs or transvestites be given more room
Dohr took dire toll on the High Prelate’s laboured vocal chords
And just as the Chief pow-wowed with advisors and legal boards
So did His Holiness with a delegation come from afar
The results as well as can be expected turned out: Discord!
The wily Franquist woman counselor slammed the Chief’s car door
And bee-lined the barred gates of the trysting hotel’s portico
The Chief sent Commandant in hot pursuit of bent-backed woman
Scarf drawn over pockmarked scalp limpet-mouthed suction sore
As the dohr throngful of the Faithful streamed out queues formed for asr
The Commandant waylaid the Imam come out for some air:
“…ad subjiciendum… Omar…Tent Maker’s prodigal heir…”
“Means thou Umar ibn Al-KHattap…Exalted Caliph Sire?”
Non-plussed the Commandant looked hard at Writ in his thick hands:
“Your Holiness! Be it thy pleasure to peruse these commands!”
One yea-sayer read aloud: “Oooo..maaaar ibn al-Khaaayyaaaamm…”
“Who? Must be that drunken half-Turk by rich widows favour finds!”
What causes America's mainstream media to fear and try to destroy a group of artists and their work? What happens when such a creative movement grows in strength and threatens media's bottom line? Why would extremists find it necessary to take acti
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