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Debashish Haar

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Member Since: Oct, 2005

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Poetry
· The Arbitrage of Solitude

· Characters from Different Books

· Tree that Aspired for the Stars

· Supposition

· Ellipsis

· Empire of Ashes

· Entitlement

· Across Time Zones

· Nomenclature

· DEMOGRAPHIC

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Where Pyramids Are Geometries of Lies

by Debashish Haar — Read all 156 poems by Debashish Haar

Inspired by Shelley's famous sonnet

This is not a variation of Shelley's masterpiece. Shelley's poem deals with transience of power, beauty and wealth, and permanence of real art and emotional truth.

My poem starts at the opposite pole

Monday, June 26, 2006

O, Ozymandias, the king of kings,
setting sun mocks your torso, wind erodes
your remains, where sand builds castles and sings
and sculpts the wind. Cities crumble and roads
crosshatch the remains, Nile thunders and wears,
your flesh diffuses in the air, eyes crush
and coalesce in a blind arc that bears
military junkets, where brined blood rush
like raging waters of Niagra falls.
Cleopatras are the billboard beauties,
Caesars build coliseums and fire walls,
leaders barter sand and collect booties
where Sphinx plays Chinese whisper with fireflies,
Pyramids are geometries of lies.
     


For Those Who Have Not Read "Ozymandias"

OZYMANDIAS (P.B. Shelley)
met a traveller from an antique land
Who said:—Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away. 


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Reviewed by Regis Auffray
Reviewed on June 27, 2006
Superb work, Debs! Thank you for sharing your gift. Love and peace to you,

Regis

Reviewed by E T Waldron
Reviewed on June 26, 2006
Exceptional work D.! I love how you bring the myths to earth, and show how ordinary they cna be, when not being idolized!

Reviewed by Crystal Silver Angel (Reader)
Reviewed on June 26, 2006
Fabulous as always..

Reviewed on June 26, 2006
Ah Debs, this is outstanding, as always there is such powerful thoughts in your poetry, I have always loved that poem, your poem is so unique and excellent!

Reindeer

Reviewed by Debashish Haar
Reviewed on June 26, 2006
It is difficult to modernize Shelley so easily. If you have ever read Shelley other than like reading newspapers you will understand the distinction and differences in the POV.

D

Reviewed by Jerry Bolton (Reader)
Reviewed on June 26, 2006
Haha!!! Gota love it, Shelley modernized, gotta love it (twice)!!!

Reviewed by Richard Cederberg
Reviewed on June 26, 2006
A unique contention. Especially the utterly cryptic last line.

I have to wonder why the writer decided to do a variation of something already so pristine.

Richard

Reviewed by Swep Lovitt (Reader)
Reviewed on June 26, 2006
An iteresting variation on Shelley's poem. Should 'cross hatch' be one word, or at least a hyphenated one? 'Niagra falls' needs a capital for 'Falls'and you have a typo in the spelling of 'Cleopatra'. The only other thing I would say that there is a tremendous amount of activity in this poem: mocking, eroding, building, singing, sculpting, thundering, wearing, diffusing,crushing, coalescing, rushing, etc. and It might profit the poem to calm it down a little. There are a number of interesting lines and'...Sphinx plays Chinese whisper with fireflies,/Pyramids are geometries of lies.'/ is both interesting in language, and thought.


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