Black Flowers
I have been to the prairie
have seen the twisted trees'
palsied branchings, downward-gropings
felt the savage sunshine snatch our shadows,
baking bald grounds cracked as ancient faces
seen sweet purple cornflowers peek
from gramma grass and sagebrush
trod timorously around ubiquitous prickly pear,
and in the fields both far and near
seen black flowers on pale white stalks
you said were actually yellow yucca corpses
but which, to me, were perfect tulips,
dark as sin, and as enchanting.
I've seen the fields' long faces yawning
under a joyless infinite sky
the once-fecund fruit trees
with their puny inedible offerings
and feltl other spoilings, like that
inside of you, a shattering
like the crumbling buildings' windows
broken like fragile promises
buildings jammed with corrosion
just like, again, yourself, but for
traipsing me through thirsty fields
laid bare, I thought, like naked women
waiting for lovers to shower them
with blooms of any color or blanket them
with killing quilts of snow.
The sad gazebo, its trellises
severed and blown, a few scraggly vines
adoring the stubborn frame -
I have seen all this with you
our eyes' admitting disparate ghosts
yet in many ways the same
our losses waking to greet us each dawn
before, even, a warm human hand.
I have seen land on land in the bleariness
of your once-clear eyes, in the hunching
of your shoulders beneath a tattered robe,
and even in, or especially in, the roughness
of your palms that caress in dark or light so unlike
the way the outdoors roughs us,
unlike the dust that fills us as we walk
the wind that whistles through our shells
whispering endless desolations we've been meted,
the ones we bear, and those we've left behind
and I have felt in your tremulous fingers
benedictions that move across my skin
like oceans lapping sparkling sand
and known the endless hunger of man,
and of one spectre so needing another
meshing into one and separating as one,
felt the ache of man for breasts like peaches
from a fertile orchard, or plums that blush
the female cheek, and satin hips like succulent pears
and above high winds, thought I heard you weep.
Yes, I have groped through high grasses
with you whose gay red hair now hangs
limp and gray, have stroked the dimples
that now crease your cheek, as you pass,
a phantom, by the dessicated creek
and through acres of gutted machines
abandoned rubbles of amputated limbs
have marched plain upon plain whipped
stoically by gusts in that terrifying terrain
and trembled before the staunch sundial
marking off our hours, as the tulips
blackly list beneath a heaven void
of rain or cloud, seen you stroll
the steppe like a shroud, and when
I am here and you are there,
recall our walking among the bones
of sheep lost to coyote, of coyote to thirst --
Yes, I am with you from here, and drum the days
until the fissures and the plains come to claim us
and we sprawl at last like huge black flowers
with parched and puckered lips
when winter its freezing manna frees
aching for springs we've lived to dream,
and dreamed to die, and died to see.
Julianza K. Shavin
Regis
for instance, Eliot's rhythm. Love the alliteration, the way you use your words, the vocabulary. Call it art. -gene.
(((HUGS))) and love, Karla.
Felix L. Perry