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Yael Shahar

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A Damaged Mirror
by Yael Shahar  Ovadya ben Malka 

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A Damaged Mirror

Category:  Memoir
Publisher: Kasva Press

ISBN-10:  0991058402

Type: Non-Fiction

Pages: 405

Copyright: 
January 27, 2014
ISBN-13: 9780991058419


An embittered holocaust survivor cannot speak of what he was forced to do to survive the horrors of Birkenau. A young girl in Texas is haunted by a memory of something she could not have lived. Their meeting will bring each of them face to face with themselves, and with the hope that lies on the other side of despair.

Alex was seventeen years-old when he was deported together with his family to Birkenau. His mother and younger sister were gassed on arrival. Alex lived on past the end of his world, his memory filled with the death of a people. Unable to speak of what he had done to survive, he was locked in the silent prison of his guilt.

Yael, born and raised in Texas, has no connection with Alex or with the world he has lost. And yet her seemingly idyllic life is haunted by a dark memory of something she could not have lived. Her search for the source of the memory will lead her on a quest spanning three continents, and eventually to a new life in Israel. But her true journey will lead into memory itself, as she helps Alex to keep his promises to the dead.


A Damaged Mirror explores the borders between right and wrong, choices and choicelessness....and what happens when we cross those borders. It challenges notions of black and white, but also calls into question the sovereignty of death itself. At what point does one die if his body continues on? And at what point can one be truly dead while his memory continues to affect the living?



Excerpt

Let me begin by saying that “Alex” is not my real name. It is a nickname by which the Greek Jews were inevitably called by the Polish and Hungarian Jews. Names were not important to us, for the simple but paradoxical reason that they were too important. They were a connection to what we had been, which had been forcibly taken from us. Why keep the reminder? Why grasp at a nostalgic memory that brings only pain? Far easier to make do with nicknames. Nicknames have an air of impermanence, just as we do. They are empty of any pretense, just as we are.

In any case, we had some trouble pronouncing one another’s names.

I will tell what I am able. I am done with hiding. What I will not do is soften the reality. I will not compromise the truth as I have lived it. I will not make it more palatable for the reader. Yes, I am a difficult person. I freely admit it. I will not make myself more congenial or easier to take. You don’t like what I have to say? Fine, don’t read further. My retelling brings nightmares? Welcome to my world. I will not accommodate myself, any more than the world has accommodated itself to me.

I was not always like this. I don’t know where he has gone, that young poet who wrote love songs to God and was in love with all the world. There was nothing that he could not accomplish. He trusted. He knew his place in the world and was content. He was at home in his tradition. It was the air he breathed. He was a son of Israel and lived to serve the God of Israel and could hope for no greater glory. He would marry a virtuous and loving woman of Saloniki, and would raise his children to love their heritage and to live wholly in the present for the sake of the future, just as he did.

Perhaps someday he would visit the Land of Israel…maybe even move there. For now, that was a dream to be set beside the dreams of shipping out on a freighter to visit foreign lands. One day his dreams of adventure on foreign shores would be put in their place—fond memories of youth. For now, he was content to dream, knowing that dreams were the stuff of which his songs were made….

But I am not that youth. He is dead and I have neither the strength nor the leisure to mourn his passing. It is with me, Alex, that you deal now, and you will have to accept me as I am, or stop reading now. I will not forget and I will not spare you the details. If you want to open this buried jar of memory and read its contents, you will have to face what I have seen.

I will be writing from a very sketchy memory. Well, it is a very clear and precise memory in some cases. Trouble is, there isn’t a lot of it. Things happened, and I said, “I will never forget this.” But then the next thing happened, and the next…. So I have forgotten many things, though they come up again under the odd stimulus. Little things. They come up again and if I write them down or tell someone, then the memory remains. But if not, then it’s all gone again as quickly as it came.

So this work will not only be from memory, but about memory—about how it was formed by experience, and how it was obliterated by that same experience. But above all, my task is to preserve memory.

So I will start with a memory….

Our city, Saloniki, was built round the Port, where ships of almost any size can be accommodated either by solid berths or by portable one’s that can be moved about by towing vessels. The ships bring trade, a potpourri of cultures and languages, and a colorful assortment of perceptions to ponder. To a child, it is an environment rich in stimulation.

The marketplace is all of this and more, but condensed into a smaller space. Someone recently asked me to describe my city and I found myself once more among those colorful market stalls. But it wasn’t the weekly shopping that I recalled—the sights, the smells, and the sounds. Rather, I saw myself as a small boy running among the stalls with friends, hiding between the legs of the adults; attempting to steal a date from the cart without getting caught. I felt again the panic as the feared Turkish shopkeeper grabbed hold of my wrist when I didn’t move fast enough. I recalled how he scolded me with the voice of a lion whose den has been invaded…before pressing a date into my hand.

A child’s memory. The bright fabrics of youth, now overlaid by the fine dust of old age.

A child’s memory? A strange thing that. I was nineteen years old when that colorful and vibrant world came to an end, but it is the childhood memories that remain—colorful fabrics, the fragrance of spices and rich foods. And the music…. We made songs of everything.
I remember the little Bet Knesset in our neighborhood, whose lovely stained glass windows were decorated with birds and flowers from floor to ceiling. The Torah was chanted from a circular reading stand in the middle of the room, reached by three stairs. The Reader’s melodious voice would fill that small building and lift everyone who heard it up to a level where song became pure being. On Shabbat and holidays, that place became a gateway into the other world and our prayers opened all doors.

We had lived in a bubble of safety for five hundred years, since the Expulsion from Spain. Our language reflected our origins—ironic that those who were most faithful in preserving the language and music of Renaissance Spain were the Jews who had been sent into exile by that same culture with nothing more than the clothes on their backs.

Saloniki had been part of the Ottoman Empire, but became part of Greece in 1912. And, as is usual in such cases, a population exchange ensued; many of the Muslims moved out, to be replaced by Greek Christians. While the Muslims were culturally very close to us, the Christian newcomers were not.

All that was before I was born, of course. But it was still a society in transition. A city that had hosted three great cultures for generations had changed its character almost overnight, but the change had not yet been assimilated. If you had told us that we were living in the last days of Saloniki’s glory, we would have said you were crazy.

Did I say I was nineteen? No, that is incorrect. It is what I told the German officer, who let me live on the basis of that lie. I was seventeen.

* * *

I drift in a haze of fever. The door at the end of the building is propped open to let in some air—an attempt to combat the smell of hundreds of sick and dying men stacked, sometimes eight deep, on the wooden bunks. In my delirium, the open door takes on the shape of the windows of the Bet Knesset with their colorful designs and fanciful scrollwork. As I watch, the colors begin to fade. A harsh network of black lines begins to creep over the glass, forming the shape of a thorn bush with long spikes. The thorns snake upwards, crawling slowly over the glass to consume the colorful birds and flowers. Soon only the thorns remain—black lines over empty space.

* * *

So has my past vanished into the hole in the world that is Birkenau.


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