|
The Hungry Years: 1
Getting Ready
Getting ready to go It takes two hours just to crimp my hair, To ease the thigh-length boots on, smooth and slow, With a leather skirt that's barely there.
Getting ready to dance I can hear the music in my head Catch the mirror's smoky kohl-rimmed glance, Feel the rhythm stomp with boots of lead.
Getting ready to burst Once-heavy heart is clamouring to speed Almost ready now, I burn, I thirst A distant roar of thunder fuels my need
Getting ready to rock I can feel the tides of waving hair We're driving fast against the racing clock We turn another corner - and we're there.
The Hungry Years: 2
Hungry Years Nights
Pounding hard rock my sister's face through haloes of smoke shows her undisguised mirth at the antics on the dance floor, as rainbow amoebas of light pass over the walls and head-banging heads in the frenzy of flying hair
She's making faces over Tom's shoulder as he smiles, unaware she's making her cigarette packet dance across the table she points out all the tarty women, Nods to the beat, wisecracking, smoking, swigging Newcastle Brown.
Punks stand sentry around the walls, like misplaced cockatiels preening moussed spikes, adjusting facial rings. A large biker thumps his fist on the bar to the music, grinning like a child. One of the tarts trips on her heels. We all laugh.
The vision fades. Back in the present, I begin to read Beth's email from America, slowly, trying to make it last. She is happy but she misses us. We miss her too.
The Hungry Years 3:
Closure
Why not take my arms too, My legs; why not cut me, Kill my friends, Black out my eyes?
What the hell is it about, All this change for no reason, The unbroken being fixed anyway, The unthinkable happening, The closing-down, shutting up, finality of it all?
Now we force ourselves out to local pubs Or the working mens' club, Watching grannies dance with children, Aunties with uncles, We breathe their cigarette smoke, Suffering others just to enjoy each other.
So I dream of The Hungry Years, in Brighton, And wonder why it ever had to close.
|
but the writing is cool its pure realism warts & all which also gives it
a very real integrity se va bien hasta siempre robin
BRAVA
Ah, Bowie's lyrics from the "Christiane F." soundtrack... mid-calf lace-up Doc Martins with waffle-soles, black gloves with the fingers cut off, leather jackets with more zippers than a centipede has legs, T-shirts with rude slogans overlaid with black mesh waist-shirts, after-hours clubs where the Revolution in Cutting Edge music played until dawn, a perpetual sneer displaying disdain for the status quo, and guitars, guitars, guitars slashing the neon night with swords of razor-sharp sound. Ahhhhhh!
Thank you, Sara, for bringing it all back so clearly, if only for a moment!
Wonderful write: insightful, bittersweet, nostalgic, noisy and disreputable --- gonna read this again...!