The colors of sounds in the vowels of the surreal mind...
A Self-Tutoring Translation of RIMBAUD's " The Vowels " in Contemporary Terms
(" The Vowels " in the Paul Verlaine (first version) copy in RIMBAUD Œuvres complètes. Ed. by Pierre Brunel. Paris : Livres de Poche/La Pochethèque, 1999, pp. 279-280. Please see notes following the translation. T. Wignesan)
A, black ; E, white ; I, red ; U, green ; O, blue ; vowels,
I'll invoke true to day how your latent forms take shape
A, velvety black corset shiny bluebottles armour-plate ape
Pullule hovering over putrefying carrion stench gruels
By leeway gulfs. E, shimmering of vapours and tents,
Icy surges prideful, white grapes*, fluttering parasols umbellate,
I, purple, spat-out blood, laughter from Synchrotron** lips ondulate
Through anger or from inebriate benumbing of penitents.
U, cycles, the divine vibrations of emerald-green seas
Peaceful grazing grounds teeming with animals, reposeful furrowed pleats
Some alchemically concocted hand imprints on great foreheads studious ;
O ! stentorian Bugle ! the laden strident shriek deranges,
The calmness pierced by disrupting Worlds and Angels…
--- O ! the ultimate Omega, the violet tincture of her eyes !
Notes
* " rais blanc " (" raisin blanc " ?, hence : " raisiné " : blood, claret) ;
** " belles " (" beautiful " is hackneyed and meaningless ; by contrast, the CERN Synchrotron is the most daring, infinitesimally elegant and awe-inspiring human creation) ;
Perhaps lost in translation. I was lost trying to see a thread of meaning in all of the very colorful language presented. As I read, many thoughts flashed through my mind… Perhaps Brunel's intent.
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