You know, his angular chin stirs
my entangled feelings: some days
he’s a little window washer
in an imaginary rectangle,
something born in cinematic memoir.
He’s kittenish, swift
and, with a gesture just as quick,
is dismissed by the tanned back of a hand,
while the other rests on the leather clad wheel,
or by a complaining voice at the traffic light
in the sticky afternoon.
Framing the mind is absurd
yet there he is: a knock-kneed kid,
projected on the discolored wallpaper
of my etiolated memory.
Of him, there were barely a few photograms left in me,
until I met your Mediterranean skin and smile tonight,
to redeem the caramel and the ochre of life
and then the ever-summery smile,
finally merging margins,
when frames and screens disappeared.
In the old movie theatre,
you and I were sitting
almost back to back;
we chased the grey, so that
I could feel your silken warmth,
we talked, with sunkissed velvet hands,
inside that private art chapel.
And now, crazy horns and
Southern traffic, midday textures,
tobacco-eyed Marlboro kids
that call: “Uèè guagliò !!” ,
noisily take me back to the streets,
as I realize
I had never been that far,
after all.
Oh this reminds me of the 1960's when as a teenager, I would go to the drive in movies with an "older" girl. Almost always back to back we talked with sunkissed velvet hands but the chapel wasn't so private. Patrick
Oh, I love it when you write this way, with a story and an image that just bores into our minds. What a photo! Your colors are brilliantly set against the grey backdrop of streets and black and white imagery. And again, I love the coming-full-circle feel of this. --Charlie
from the shaky recollections of now metered memories there is deja vu in the streets of the eternal city --- Pauli intently interfering with intent stare and determined barker's skills, repulsive, creative an entrepreneurial little street brat -- how dare he remind you, cause you to relate to an encounter with love later in the evening -- my interpretation Axilea and I'll stick with it to the end -- too romantic for an aging romantic to abandon -- your canvas unfurled with gray and white allure on a crimson background -- bold, demanding interpretation -- I bid you love and peace my friend -- Jon Michael
Of him, there were barely a few photograms left in me,
until I met your Mediterranean skin and smile tonight,
to redeem the caramel and the ochre of life
... totally delicious lines which turn sepia and grey into vivid emotional technicolour! Brilliant capture of a prior soul-to-soul impact raised from the shadows of long summers past. xx
Superb poetry.
Great storyline of looking back
Then to realize. . . . . .
Brilliant picture also.
db
Reviewed by Jerry Bolton (Reader)
Reviewed on August 16, 2011
Sometimes memories have a tendency to give us a blurred remembrance that what was really there to remember. Somehow, I think this is one of those times. To be jolted out of your reverie by reality is a stunning and not a very likeable thing.
Inside the Methadone Clinic. Addiction to heroin, methadone, and other opiates. Destruction. The primal addiction" of the child, power and control over your own life, the institutions and the characters, the love between a mother and son. This book i
Chip Bergeron
pure synaptic stimulation ...
as does 'Cinema Paradiso';
for me, Axilea, this has the light and shimmer
of Italy.
A fine evocation.
John
until I met your Mediterranean skin and smile tonight,
to redeem the caramel and the ochre of life
... totally delicious lines which turn sepia and grey into vivid emotional technicolour! Brilliant capture of a prior soul-to-soul impact raised from the shadows of long summers past. xx
imagery; i.e.,
Framing the mind is absurd
yet there he is, a knock-kneed kid,
projected on the discolored wallpaper
of my etiolated memory.
-gene.
Blessings,
Christine
Always,
Deborah
Great storyline of looking back
Then to realize. . . . . .
Brilliant picture also.
db
Be always safe,
Karen