Good Friday dawns
With brooding skies
And the far-off rumble
Of thunder;
It is as if
Nature revisits
That darkest hour
When Christ was led
To Calvary's crest
And there put to death
Before jeering men
And wailing women;
And as the minutes pass
The storm intensifies,
Growing closer
And angrier,
Until its fury
Is overhead,
Whipping the trees
And battering the house
With ferocious power;
But then,
It passes
Far quicker than it came,
Leaving the rich, sweet scents
Of rain and earth
And springtime
Renewed
And reborn.
Springtime, Good Friday, can't smell the scent of rain and earth, because I am distracted by the shouting of the High Priests acolytes, "crucifixion!!!" "crucifixion!!!" "crucifixion!!!" on a Spring day.
Robin Ouzman Hislop's poetry is certainly in dialogue with some of the key architects of the 'poetics of indeterminacy' – both the Modernist strands represented by the likes of Beckett and Stein, and the postmodernist strands represented, initially,
Using Calgary as a backdrop the author satirizes the self-serving nature of the public as it continues to fatten itself, not only physically, but egotistically as well.
Edwin
(((HUGS))) and love, and God bless you, Karla.
Georg