Sudden poem. I wish there were a way to see all pictures or paintings one has already posted, so as not to repeat (I will contact AD about this). I added a picture to the last poem, White Labyrinth. A version that pic may already have appeared. Ok, this poem is all the same size here. It's not supposed to get larger in type.
Oh Sweet Soil
The empty places you inhabit
live in me.
I am your slum landlord,
not by choice.
My emptiness resides
in the shack of you.
And here we thought
we never travel.
You left long ago,
leaving behind your body,
your raised voice,
empty eyes, lots of things
to clean, only for you
to end up in black.
Then I evicted myself --
put myself on the street
with a thumb out,
waiting for someone
else to escort me.
Anyone. Anywhere.
We inhabit the drafty,
bare-bulbed rooms of the other
as familiar ghosts,
but that is all.
We see nothing in our
translucence,
though haunt by day, by night.
When the moon is full,
we remember another life,
the flesh of existence,
existence of flesh,
and curse the white beam.
Others are no help, those who
imagine they've strolled
our brown lawn, the living (dying) room,
the aqua bedroom with
colorful quilts, one messy bed,
the other magazine-perfect.
Our habitation is not
as intimate as that with our too-many pets
whose fur we stroke,
(alternately), whose ears
we rub, whose injections
we give so they can have
a few more swift years.
We age, five years for every one,
and soon will be tenants
of the same sweet soil,
side by side again,
a happy thought, really,
until thoughts end.
How we lost the key
is unknown, or at least, complex.
We remembered (stupidly)
to put it in an obvious place
(under the mat), such that
anybody could walk in, and did.
But that was because we'd
already tossed our entire rings
in separate dumpsters
across town,
knowing full well
our actual home's windows
are way too small.
Copyright Julie K. Shavin
You did well at writing beyond the painting, which is the mistake most people make when writing ekphrastic, writing inside it and describing it literally- instead, we felt your emotions as if cut from your wrist and spread on the canvas.
You captured well the sad feelings of love that has turned into just existance...when the pain stops then the last dregs of love sadly also slip away...
Fee
Still Living on my Feet is the follow up to Tichaona Chinyelu’s first book, In the Whirlwind, which was rooted in a sense of hard-hitting revolutionary black love. However, in this sophomore effort, Tichaona brings the revolutionary essence from deep
EDWIN
Sadness in these lines - powerfully imaged - well done.
(((HUGS))) and love, Karla. :(
Fee