The Ego of Poet
by Erin Elizabeth Kelly-Moen — Read all 1,670 poems by Erin Elizabeth Kelly-Moen
Friday, April 1, 2005
You wonder, sometimes,
What affect you have on people
As an entrepreneur of locution.
You agonize over elements of word choices.
Is an utterance of rich resonance needed?
Or, would a choppy, quickening pace
Emote the moods feelings into expression?
You write a poem about a bug,
Try to make it quirky and intriguing,
Becoming the bug, and conveying its story.
You conjure up spatial ideas and concepts,
And reach to capture their value and beauty,
Fearing language’s parlance will fail mind's intent.
You agonize over synonyms,
An adoring addict to subtle meanings,
Divining the nuances required to promote
Continuing quintessence of thought.
You conceive rearrangements of patterns,
Inside-out articulations, unformed diction,
But, only ethereal vowelless foundations exist.
You pen a poem about a voice, in your head,
More than one poem, until, you finally realize,
The entity you’ve had dialogues with – is you.
You agonize over dropping adjectives,
Love their intensifying structural stance,
Control punctuation’s grasping clarity
To craft a perception of timelessness
You wonder, sometimes,
What it matters to other people,
Proclaiming self an egocentric word engineer.
Erin Elizabeth Kelly-Moen
© Copyright 4/1/05
and you've got me thinking here
I think there are two sides to the coin
some poets are shy.
not performers, just addictive thinkers. Sooner or later there is a leak...which is not spoken, so it comes out in words. I don't know.
I am a closet poet. Few people know I write. I use the net just to have something to do with all I write. I don't even print my poems out.
But I do LOVE reading
poetry to me delicious cheese cake........cannot get enough!
you ARE a POET!
pax A :)
Erin that captures it to a T. Excellent.
And then, it is also ego-driven, because we get to a point where careful crafting and stretching ourselves is more important to us than how many people read our work; nevertheless, if we hope to communicate to others, even only to diligent readers, we should avoid going so deep into our own ego-trip that nobody connects to our poetry but us. If consistently we write so obtusely that no one understands what we've written, we might as well keep our work in a locked diary. I mean, that's the ultimate ego trip, to write in a way that only shows off our skill as wordweavers but gives nothing to the reader.
We must ask ourselves, if honestly we don't care that anyone understands our work, then what is motivating our making our scribblings public. Are we then just masturbating exhibitionists? This is not to say that we should compromise and write tritely for lower level readers, but we should remember that sometimes the more we're motivated to create spectacle with phrases no one may grasp but us, then sometimes all our work amounts to is bad poetry with big words. All things in moderation.
I have read the opinions of some poets who believe good poetry is poetry that everyone understands. I disagree with that view. Does everyone understand Shakespeare, TS Eliot, Toni Morrison? People are at different levels of education, intelligence, and spiritual growth. If we write to please the majority, then we are not artists striving to create classic work that withstands time, but simply indulging another side of ego, the desire to be popular.
I really enjoyed this poem, Erin. Thank you. ~~Nordette
that is the ultimate in ego
that we presume that anyone would,
of their own volition,
read what we write!
good write
john+
The uniqueness of this composition shows the teacher behind
its lines of live didactic breath.
"The Ego of Poet" adds to the golden pages of The Major Art
- thirty platinum lines - of a true poem to enrich the poetic literature of the twenty-first century.
Andre Emmanuel Bendavi ben-YEHU
Love Tinka
Love&Light*
Alexandra*
Paul;-]
Monette
Your brilliance radiates with this one! Brava! Outstanding!
Eileen