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Richard Lloyd Cederberg

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Member Since: May, 2006

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Books
· A NEW RACE OF HuMANS

· Between the Cracks

· A Monumental Journey - first edition cover

· Beyond Understanding

· The Underground River

· In Search of the First Tribe

· A Monumental Journey - 3rd Edition


Short Stories
· Rejected (a curse or a blessing)

· The Visions of Saoirse Gilbride....

· An Irresistible Transformation...

· Surfing on Silent Skies...

· Doorway...

· The Strange Case of Kicky Cano...

· A Matter of Perspective 2...

· A Surprising Discovery....

· 10 North Waverly Place...

· Old Friendships (not forgotten)


Articles
· Thanks Giving...

· Kennedy and Lincoln...

· The Art of Poetic Prose...

· What Makes a Poet Authentic...

· Paul Harvey’s ‘If I Were The Devil’ transcript- 1965

· Direct Characterization

· Aphorisms (a collection)

· Hey Cortana...(2019)

· Origin, or Destiny?

· Stream of Consciousness


Poetry
· When the Heart is Flawed...

· Catching Happiness...

· The Fragments of Hatred...

· 'Malama Ka Aina'...

· On Open Wings...

· Generations....

· Dewdrops....

· A Gradual Decline…

· Like Wildflowers and Weeds…

· In Nature’s Design…

         More poetry...

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A last door of imagining more...

by Richard Lloyd Cederberg — Read all 280 poems by Richard Lloyd Cederberg

In certain ways writers are all like bodies of water. To remain vibrant there must be an inlet to encourage circulation and cleansing, and also an outlet to allow purging. Without this it's easy to become stagnant ponds or dead seas, or like savage deserts waiting for the right elements to unlock the blooms. This piece is about the ongoing (and at times fierce) struggle to remain original. Poetic/Prose

Saturday, February 20, 2016


Poem Artwork
Perhaps what
Was most inspiring
Was the feeling that a last
Door of imagining was opening;
A season when the most compelling
Messages would be proffered:
.
Visible through the opening
A vast desert loomed with
No comfort or streams,
Just thorny cactus
(Hordes of them)
Jealously hiving their moisture
.
Struggling to cast-off a
Burnt-cork façade, curiosity
Passed over a threshold
Into a barren
From a good position
Of mind and spirit to see
More of what it felt drawn to
.
But in this place
.
Water, he saw,
Was not enough
To survive
Where thick skin
And succulent flesh
Took always what it wanted
While keeping a difficult balance
.
Then it came to his sight,
A time-ravaged abode where
Nothing was plumb, level, or square,
A structure shaky from time, and where
No piece fit another without a gap…
And he saw there
That black and white
Became all gradation of grays,
A forest of giant stones,
Of fossilized stumps,
Where a weight of sameness
Never cheered together in unison
.
It [seemed] his age
Required the task of
Creating a different image,
A deeper sense of inwardness,
Of belonging, of being understood,
Where the spirit did not loathe
The unending struggle, or
The leaning
To stand apart,
(Despite sunlight’s burn
Or moonlights chill) as hope
Waited for blooms to burst open
And refresh weariness with redolence,
.
But in this place
.
Water, he saw,
Was not enough
To survive
Where thick skin
And succulent flesh
Took always what it wanted
While keeping a difficult balance
.
So he purposed
To go along,
To accept his becoming,
To stakeout no beginnings or ends,
To establish no fortifications,
From where no
Boundaries would be
Raised, shutting out or shifting
The Light, separating inside from outside,
With all possibilities open,
And no path closed
To the sacred
Freedoms of writing,
Where fearlessly sharing
(With no bruise or blunder)
Allowed every impulse of vision to
Explode from the core honestly, so when
The creative flow had finally ended
That what was left behind
(MORE) resembled a field of wildflowers
Than the savage desert(s) they were discovered in

richard lloyd cederberg
2/2016

                                  richardlloydcederberg.com



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Reviewed on February 25, 2016
An honest and soul felt beauty of a poem. I think your breezeway of creativity is working well Richard.

Reviewed on February 22, 2016
Sometimes, one sentence is better than not trying to write at all. Peace and inspiration, r.

Reviewed by Mary Ann Biddinger
Reviewed on February 22, 2016
Richard~
Sacred the writing of freedom's stunning creativity.
To shore a field of wildflowers discovery anew.

Lady Masry Ann

Reviewed by Ronald Hull
Reviewed on February 21, 2016
I find this to be quite psychological and introspective, referring to the dry spells in writing that many authors face, especially when their work is not understood or appreciated even though they may receive great critical acclaim.

What I read allows the reader to come to different conclusions between the lines and to conjure up images virtually revealed by your imaginary and elusive descriptions.

Ron

Reviewed by E Phillips
Reviewed on February 21, 2016
This is a superb rendering that beckons the reader to follow down a pathway of intrigue with only words and imagination as his guide. And even within the austere surroundings there, we find that a free and unfettered mind are all that is required to leave behind a field of flowers. That is both instructive and encouraging.

Reviewed by Odin odin@aflx.com
Reviewed on February 20, 2016
An inspiring piece of prosetry, bridled by the sure hand of a master wordsmith, a quill's best friend who knows the difference between telling and allowing discovery for the reader. Powerful subtleties vying for multiple readings. Thank you for posting.


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