This is a piece I thought I'd shared long ago. It has been revised and revamped as time has moved on and I can look back with a different perspective. Grieving is personal and no one can or should tell you how or when or where... and sometimes you really do figure it out...)
Widows' Weeds
She never wore the garb of mourning, The widows' weeds of broken dreams. Nor did wreaths of bereavement Hang upon her door ... words of sympathy Gave way to ordinary days long ago Much like Easter finery giving way To comfort after church.
Life demanded her attention so she donned Time's apron, collectiing moments In lined pockets, ignoring the tattered Hemlines and frayed seams. But the silence of lowered curtains heard Her weeping, felt her vulnerability ... And she mourned.
He had left her in springtime, Amid the lilies of Easter and garden vines, Tiptoeing away when she wasn't looking, No whispered good-byes to mark the moment, Only emptiness reaching into happiness And she felt naked in the loss. Springtime died that day And the lilies of Easter wept their ivory tears.
Still she wore no widows' weeds, No somber-draped reminder decorated her door And sympathetic words offered no solace ... Time had moved on, paying little notice To her quiet sadness, for it had things to do, People to see and more aprons to fill with memories.
But she and the silence remembered ... he had left her in springtime.
Myrna - Those who know you well, are aware that you've lived by these words and promises. The poem wrings out the reader who should know that survivors who loved deeply can love... beyond. Your stamina and dedication to family have made the difference! With love, - Bill
Very touching--and true far more often than not... "In the quiet heart is hidden sorrow that the eye can't see" --Susan Evans McCloud. You never know what pains are hidden behind that 1/2-stretched smile. Good write. --Charlie
Robin Ouzman Hislop's poetry is certainly in dialogue with some of the key architects of the 'poetics of indeterminacy' – both the Modernist strands represented by the likes of Beckett and Stein, and the postmodernist strands represented, initially,
Blessings,
Joyce B.
Outstanding composition... "Widows' Weeds" has paid its dues to the treasure of Poetry.
I salute You, Poet.
Andre Emmanuel Bendavi ben-YEHU
(((HUGS))) and love, Karla.